Jesse Coburn is an investigative reporter at Streetsblog. He won the Polk Award for Local Reporting for "Ghost Tags," his series on the black market for temporary license plates. “You can imagine this having never become a problem, because it’s so weird. What a weird scam. I’m going to print and sell tens of thousands of paper license plates. But s…

Amel Guettatfi and Julia Steers won this year's George Polk Award for Television Reporting for “Inside Wagner,” their Vice News investigation of Russian mercenaries on the Ukraine front and in the Central African Republic. “One of the best takeaways I got from seven or eight years at Vice is that it’s not enough for something to be important when y…

Vinson Cunningham is a staff writer for The New Yorker. His novel, published in March 2024, is Great Expectations. “I think the job is just paying a bunch of attention. If you're a person like me, where thoughts and worries are intruding on your consciousness all the time, it is a great relief to have something to just over-describe and over-pay-at…

Megan Kimble is the former executive editor of The Texas Observer and has written for The New York Times, Texas Monthly, and The Guardian. Her new book is City Limits: Infrastructure, Inequality, and the Future of America’s Highways. “I have never lived in a city that was not wrapped in highways. It’s hard for me to imagine anything else. And I thi…

Zach Harris is a journalist whose latest article for Rolling Stone is "Meet the Gen Z Hothead Burning Up Pro Bowling." “I'm not like a staff writer who has … status and access. But if I come up with something fun that you've never heard of that might connect to the larger culture, then it kind of hits a nerve and a sweet spot for me. Someone like a…

Rozina Ali is a contributing writer for The New York Times Magazine and the winner of the 2023 National Magazine Award for Reporting. Her latest article is “Raised in the West Bank, Shot in Vermont.” “I think it’s very, very important to speak to people as people. To speak to sources—even if you have the juiciest story—to really give them the grace…

Derek Thompson is a staff writer for The Atlantic and host of the podcast Plain English. “I am an inveterate dilettante. I lose interest in subjects all the time. Because what I find interesting about my job is the invitation to solve mysteries. And once you solve one, two, three mysteries in a space, then the meta-mystery of that space begins to d…

Tessa Hulls is a writer and artist whose work has appeared in The Rumpus, The Washington Post, and The Capitol Hill Times. Her new book, a graphic memoir, is Feeding Ghosts. “This project is the thing I have spent my entire life running from. I was incredibly determined to never touch this, either personally or professionally. … It was more an even…

Sloane Crosley is the author of I Was Told There’d Be Cake and several other books. Her new memoir is Grief Is for People. “You take a little sliver of yourself and you offer it up to be spun around in perpetuity in the public imagination. That is the sacrifice you make. And it makes everything just a little bit worse. So it's the opposite of catha…

Lauren Markham is the author of The Far Away Brothers: Two Young Migrants and the Making of an American Life and has written for The New York Times Magazine, The Guardian, and VQR. Her new book is A Map of Future Ruins: On Borders and Belonging. “It took me a while to figure out that this is actually a book about storytelling, about journalistic st…

Zoë Schiffer is the managing editor for Platformer. Her new book is Extremely Hardcore: Inside Elon Musk’s Twitter. “Being the person where it's a fireable offense to leak to you … is kind of a badge of honor.” Show notes: zoeschiffer.com Schiffer's Platformer archive Extremely Hardcore: Inside Elon Musk’s Twitter (Portfolio • 2024) 03:00 Schiffer'…

Chris Ryan is the editorial director for The Ringer, where he co-hosts The Watch and The Rewatchables. “There is a point where there’s just too much stuff. I can’t read a 5,000-word feature, 10 blog posts, and listen to three podcasts, and then do it all again the next day. So that is the line you walk in digital publishing, whether it’s for editor…

Patricia Evangelista is a trauma journalist whose coverage of the drug war in the Philippines has appeared in Rappler, Esquire, and elsewhere. Her recent book is Some People Need Killing: A Memoir of Murder in My Country. “It is hard to describe the beat I do without saying very often it involves people who have died. And it seemed like an unfair w…