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<div class="span index">1</div> <span><a class="" data-remote="true" data-type="html" href="/series/all-about-change">All About Change</a></span>


How do we build an inclusive world? Hear intimate and in-depth conversations with changemakers on disability rights, youth mental health advocacy, prison reform, grassroots activism, and more. First-hand stories about activism, change, and courage from people who are changing the world: from how a teen mom became the Planned Parenthood CEO, to NBA player Kevin Love on mental health in professional sports, to Beetlejuice actress Geena Davis on Hollywood’s role in women’s rights. All About Change is hosted by Jay Ruderman, whose life’s work is seeking social justice and inclusion for people with disabilities worldwide. Join Jay as he interviews iconic guests who have gone through adversity and harnessed their experiences to better the world. This show ultimately offers the message of hope that we need to keep going. All About Change is a production of the Ruderman Family Foundation. Listen and subscribe to All About Change wherever you get podcasts. https://allaboutchangepodcast.com/
UCD Scholarcast - Series 2: Archaeologies of Art: Papers from the Sixth World Archaeological Congress
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Konten disediakan oleh PJ Mathews. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh PJ Mathews atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
This series features highlights from the many presentations in the Archaeologies of Art theme of the Sixth World Archaeological Congress. Douglass Bailey from San Francisco State University reflects on the current relationships between contemporary art and contemporary archaeology and suggests some radical new directions that this disciplinary collaboration can take. Blaze O'Connor discusses the unique synergy that was the archaeological excavation and reconstruction of the studio of modern painter Francis Bacon, meditating on archaeology's relationship to detritus, dust and debitage. In a special presentation from the Sixth World Archaeological Congress artist-in-residence, Kevin O'Dwyer speaks about his own artistic practice in relationship to archaeology and his curation and direction of 'Sculpture in the Parklands', a unique project engaging art, archaeology, ecology and the industrial heritages of Lough Boora, Co. Offaly. Finally, a manifesto challenging the theoretical foundations of archaeological thought and practice through an engagement with artistic and anthropological theory, is put forward by Andrew Cochrane and Ian Russell. Series Editor: Ian Russell. Scholarcast theme music by: Padhraic Egan, Michael Hussey and Sharon Hussey. Development: John Matthews, Brian Kelly, Vincent Hoban, Niall Watts, UCD IT Services, Media Services. Series 1 and 2 Consultant Producer: Cliodhna Ni Anluain, RTE
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Konten disediakan oleh PJ Mathews. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh PJ Mathews atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
This series features highlights from the many presentations in the Archaeologies of Art theme of the Sixth World Archaeological Congress. Douglass Bailey from San Francisco State University reflects on the current relationships between contemporary art and contemporary archaeology and suggests some radical new directions that this disciplinary collaboration can take. Blaze O'Connor discusses the unique synergy that was the archaeological excavation and reconstruction of the studio of modern painter Francis Bacon, meditating on archaeology's relationship to detritus, dust and debitage. In a special presentation from the Sixth World Archaeological Congress artist-in-residence, Kevin O'Dwyer speaks about his own artistic practice in relationship to archaeology and his curation and direction of 'Sculpture in the Parklands', a unique project engaging art, archaeology, ecology and the industrial heritages of Lough Boora, Co. Offaly. Finally, a manifesto challenging the theoretical foundations of archaeological thought and practice through an engagement with artistic and anthropological theory, is put forward by Andrew Cochrane and Ian Russell. Series Editor: Ian Russell. Scholarcast theme music by: Padhraic Egan, Michael Hussey and Sharon Hussey. Development: John Matthews, Brian Kelly, Vincent Hoban, Niall Watts, UCD IT Services, Media Services. Series 1 and 2 Consultant Producer: Cliodhna Ni Anluain, RTE
…
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UCD Scholarcast - Series 2: Archaeologies of Art: Papers from the Sixth World Archaeological Congress

1 Scholarcast 12: Archaeoclash: Manifesting Art and Archaeology 26:56
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Is archaeology a science? Is archaeology a humanity? What are the politics of spectatorship and archaeological representation? These initial thoughts form the basis for our archaeological explorations. Within current archaeological discourse, there are a growing number of requests for expressions, which illuminate and expose the interpretive and artistic qualities of presentation and narration. Yet few scholars actively utilise expressive practice to explore these philosophical issues. As such, we feel that this is an opportune time to intervene in the visual and textual discourse by issuing a manifesto for our project, building upon our previous works (e.g. Cochrane and Russell 2007). We call for the development of a critically reflexive practice of visual archaeological expressionism, which seeks to contest traditional modes of thought and action.…
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UCD Scholarcast - Series 2: Archaeologies of Art: Papers from the Sixth World Archaeological Congress

1 Scholarcast 11: Art and Archaeology: Reflections of an Artist/Curator 10:21
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The presentation is based on my own experience as an artist/practitioner and the experience gained as Director/curator of Sculpture in the Parklands working with both Irish and international artists who have created new artworks that respond to the rich environmental, archaeological and industrial history of Lough Boora, County Offaly. For over 25 years my artwork has explored the subtleties of ritual and imagination. I create artefacts that often combine the textured surfaces and flowing lines of our past with the strong and austere forms of modern architecture. The ultimate goal is to create a work of art that is timeless, thought provoking and responsive to the human spirit. As Director and curator of Sculpture in the Parklands I have been an observer of artistic practice as opposed to directly involved in it. The sculpture park is located in a cut away bog that has been brought back to life over the past ten years through the introduction of lakes and wetland habitats. The sculpture project has added another layer of engagement for visitors to the area by combining visual and conceptual interpretations of geography, landscape, the industrial history of peat harvesting and the people who had lived and worked there. Besides permanent or time based work, the project has a commitment to commissioning video artists, composers, writers and performance artists to interpret and document this unique landscape, archaeology and industrial history.…
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UCD Scholarcast - Series 2: Archaeologies of Art: Papers from the Sixth World Archaeological Congress

1 Scholarcast 10: Dust and Debitage: An Archaeology of Francis Bacon's Studio 16:28
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This short paper offers a personal reflection based on the author’s involvement in the reconstruction phase of the Francis Bacon studio project. During this project, archaeologists were employed to deconstruct or ‘excavate’ the contents of Francis Bacon’s painting studio in London, and meticulously reconstruct the room at Dublin City Gallery The Hugh Lane. The studio had long been renowned for its wondrously chaotic contents, its floor strewn with the debris of his creative practice, and its walls - which played the role of artist’s pallete - embellished with vibrant pigments. The paper draws on ‘rubbish theory’ relating to the aesthetics of industrial ruins exemplified in the work of Tim Edensor. This research provides a way of exploring why Bacon may have found working in the archaeological equivalent of a ‘midden’ both an efficacious and enjoyable process.…
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UCD Scholarcast - Series 2: Archaeologies of Art: Papers from the Sixth World Archaeological Congress

1 Scholarcast 9: Art to Archaeology to Archaeology to Art 33:04
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Professor Bailey discusses the various relationships between art and archaeology, and argues that the most exciting current work is pushing hard against the boundaries of both disciplines. His proposal is for archaeologists and artists to take big risks in their work and to cut loose the restraints of their traditional subject boundaries. The result will be work that is neither art nor archaeology, but something else altogether and something that can take the study of human nature into uncharted and exciting new territories.…
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UCD Scholarcast - Series 2: Archaeologies of Art: Papers from the Sixth World Archaeological Congress

1 Scholarcast Series 2: Introduction by Ian Russell 10:10
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Ian Russell introduces Series 2 of UCDscholarcast. In the summer of 2008, Ian Russell curated a series of contemporary art projects entitled Abhar agus Meon as part of Ireland’s hosting of the Sixth World Archaeological Congress at University College Dublin. The projects were placed in the shared spaces between the contemporary arts, archaeology and heritage in Ireland. This introduction is a reflective statement and contextualization of the projects and the intellectual history of the relationship between art and archaeology.…
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