DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS podcast

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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Konten disediakan oleh Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

The Agile Brand with Greg Kihlström®: Expert Mode Marketing Technology, AI, & CX

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#683: Navigating the effect of AI on marketing jobs and the job market with Sue Keith, Landrum Talent Solutions 23:28

8 hari yang lalu23:28

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My guest today has been keeping us up to date with the current state of hiring for marketers on a quarterly basis, which has taken us on quite a roller coaster ride. Today we’re going to look at how marketing and communication execs are responding to the latest developments in the world while still needing to get their work done. To take a look at the latest here, I’d like to welcome back to the show Sue Keith, Corporate Vice President at Landrum Talent Solutions. About Sue Keith Sue Keith is Corporate Vice President at Landrum Talent Solutions. With deep expertise in navigating complex labor markets, Sue has a front-row seat to the evolving dynamics of marketing roles, hiring trends, and the broader implications of AI and economic uncertainty. RESOURCES Landrum Talent Solutions: https://www.landrumtalentsolutions.com https://www.landrumtalentsolutions.com This episode is brought to you by Landrum Talent Solutions, a national recruiting firm specializing in marketing and HR positions. https://www.landrumtalentsolutions.com Catch the future of e-commerce at eTail Boston, August 11-14, 2025. Register now: https://bit.ly/etailboston and use code PARTNER20 for 20% off for retailers and brands Online Scrum Master Summit is happening June 17-19. This 3-day virtual event is open for registration. Visit www.osms25.com and get a 25% discount off Premium All-Access Passes with the code osms25agilebrand Don't Miss MAICON 2025, October 14-16 in Cleveland - the event bringing together the brights minds and leading voices in AI. Use Code AGILE150 for $150 off registration. Go here to register: https://bit.ly/agile150 Connect with Greg on LinkedIn: https://www.linkedin.com/in/gregkihlstrom Don't miss a thing: get the latest episodes, sign up for our newsletter and more: https://www.theagilebrand.show Check out The Agile Brand Guide website with articles, insights, and Martechipedia, the wiki for marketing technology: https://www.agilebrandguide.com The Agile Brand is produced by Missing Link—a Latina-owned strategy-driven, creatively fueled production co-op. From ideation to creation, they craft human connections through intelligent, engaging and informative content. https://www.missinglink.company…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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My Fellow Americans, Life is actually just a microscopic, deluded moment in time, so let's cut to the freakin' chase. One look at our impending election debacle can solidify my case. It has been my contention since birth, that the answer to every difficulty we encounter on this sacred yet demented Stone, can be revealed with ultimate clarity through the ultra neurotic engagements of Music, Art, Literature, Film, Poetry and a good Pastrami sandwich. Why would any sane human spend so must time on a film set (Do you know how long you gotta wait until your 8 second deliverance of an edited beyond repair line gets a chance to become a professional embarrassment etched in time forever? ) or expend so much energy in a recording studio, piecing together another ode to a man or woman who could not care less how much love existed within your digestive tract? It's all about hymns and prayers and a quest for mercy and forgiveness and silence and faith. We were blessed with Charles Bukowski, Gene Chandler, Lenny Bruce, Mitch Ryder and a legion of creative explorers whose influences provided the air we breathe. So Let's Dance! This site shall explore the reaper, find a way to disarm the stench of injustice, discover some true loves and talk it all over before it's all over. So what's the worst that our desires could produce? Failure? So sue me. I'm going to require your assistance in making as much trouble for the grown-ups as possible. Let the record show that my childish heart yearns to disrupt the madness. Join me Ladies and Germs!

With Gratitude For Gena Rowlands, Nancy Sinatra, Jerry Quarry, Leo Gorcey, Arthur Alexander and Joey Heatherton, Your Splendid Bohemian, Rich Buckland.

426 episode

#Theater #Arts #Music #Cinema #RICH BUCKLAND

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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With Gratitude For Gena Rowlands, Nancy Sinatra, Jerry Quarry, Leo Gorcey, Arthur Alexander and Joey Heatherton, Your Splendid Bohemian, Rich Buckland.

426 episode

#Theater #Arts #Music #Cinema #RICH BUCKLAND

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DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE SPLENDID BOHEMIANS PRESENT "THE BEAT GOES ON"- EPISODE 2- " WILLIAM S. BURROUGHS-"THE NAKED PUNCH AND OTHER LEFT HOOKS"- THIS NEW SERIES CAPTURES A LITERARY MOVEMENT GUIDED BY INDIVIDUALISM,… 32:46

5 hari yang lalu32:46

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THE QUEER AWAKENINGS OF A WILD BOY PURSUING THE NOVA EXPRESS On September 6, 1951, William Burroughs killed his wife, Beat legend Joan Vollmer. At a friend’s apartment, she balanced a glass on her head, at Burroughs’s behest. He had contracted a lifelong mania for guns from duck-hunting excursions with his father, and was never unarmed if he could help it. He fired a pistol from about nine feet away. The bullet struck Vollmer in the forehead, at the hairline. She was twenty-eight. He was devastated, but readily parroted a story supplied by his lawyer, a flamboyant character named Bernabé Jurado: the gun went off accidentally. Released on bail, Burroughs might have faced trial had not Jurado, in a fit of road rage, shot a socially prominent young man and, when his victim died of septicemia, fled the country. Burroughs did the same, and a Mexican court convicted him in absentia of manslaughter, sentencing him to two years. In the introduction to “Queer,” Burroughs disparages his earlier work and adds, “I am forced to the appalling conclusion that I would never have become a writer but for Joan’s death,” because it initiated a spiritual “lifelong struggle, in which I have had no choice except to write my way out.” “There is no intensity of love or feeling that does not involve the risk of crippling hurt. It is a duty to take this risk, to love and feel without defense or reserve.” ― William S. Burroughs “Silence is only frightening to people who are compulsively verbalizing.” ― William S. Burroughs, The Job: Interviews with William S. Burroughs “Nobody owns life, but anyone who can pick up a frying pan owns death.” ― William S. Burroughs “Hustlers of the world, there is one mark you cannot beat: the mark inside.” ― William S. Burroughs “Desperation is the raw material of drastic change. Only those who can leave behind everything they have ever believed in can hope to escape. ” ― William S. Burroughs “I don't care if people hate my guts; I assume most of them do. The important question is whether they are in a position to do anything about it.” ― William S. Burroughs “A paranoid is someone who knows a little of what's going on. A psychotic is a guy who's just found out what's going on.” ― William S. Burroughs “Your mind will answer most questions if you learn to relax and wait for the answer.” ― William S. Burroughs “Whether you sniff it smoke it eat it or shove it up your ass the result is the same: addiction.” ― william s. burroughs “You were not there for the beginning. You will not be there for the end. Your knowledge of what is going on can only be superficial and relative” ― William S. Burroughs, Naked Lunch: The Restored Text “The first and most important thing an individual can do is to become an individual again, decontrol himself, train himself as to what is going on and win back as much independent ground for himself as possible” ― William S. Burroughs “If I had my way we'd sleep every night all wrapped around each other like hibernating rattlesnakes.” ― William S. Burroughs “I am not one of those weak-spirited, sappy Americans who want to be liked by all the people around them. I don’t care if people hate my guts; I assume most of them do. The important question is whether they are in a position to do anything about it. My affections, being concentrated over a few people, are not spread all over Hell in a vile attempt to placate sulky, worthless shits.” ― William S. Burroughs “When you stop growing you start dying.” ― William S. Burroughs, Junky…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE" - GODDESSES OF OBSCURITY: JUDEE SILL AND LINDA PERHACS. DOUBLE DOWN!! 9:27

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Dead or alive? Today, we feature one of each: two exquisite female singer-songwriters from the 70’s - one a heroin casualty, and the other a remarkable example of patience rewarded. Judee Sill could have been a Laurel Canyon diva on the order of a Joni Mitchell, but, an unquenchable, self-destructive thirst put a stop to her success; and, Linda Perhacs, a name lost in the archives of time, until a fluke, third-generational cult of folky weirdness reopened her long dormant chrysalis of talent. JUDEE SILL There is a recent documentary, LOST ANGEL, that covers the tragic spiral and conflicted soul of the artist Judee Sill: reform school alum, heroin addict, prostitute, prisoner… followed by the release of two widely admired albums, then, tragically, her untimely demise at 35 from an O.D. But, it’s her music that matters and endures: startlingly original, quirky, deeply felt folk rock, tinged with ironic humor and pain, in a mix that elicits complex emotions. As Jesus loved the sinners and rejects of this mottled world, Judee, fearing that she would be lost, longed for the salvation that the Savior would bring. And, in the persona of the “Phantom Cowboy” (also the title of a 1935 Western movie), Judee evokes that ever elusive “Action” hero that will come, rescue her, and carry her safely to heaven. LINDA PERHACS In this, our internet age, it’s been posited that everyone has the potential to be a star - but in 1970 there was a different algorithm working, and for a dental hygienist with musical talent… what were the odds? Linda Perhacs’s brilliance had a shot at being acknowledged when the dental hygienist gave her demo to a patient, the noted film composer Leonard Rosenman. He got the message, and produced her first record, Parallelograms. It was released and sank, and Linda resumed her quiet life. Cut to 2014 - 44 years later, and Linda’s record is rediscovered, thanks to “The New Weird America” folk music movement. It was repackaged and released on CD, and what a blessing to hear that ethereal, crystalline voice reanimated. And, at 81, with a couple more albums out, Linda is a dental hygienist no longer. She’s an inspiration to aspirants everywhere.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE SPLENDID BOHEMIANS PRESENT BILL MESNIK'S "CALL ME UP IN DREAMLAND" EPISODE #3. OUR DIARIST REVISITS 2015: BELL'S PALSY, COURT ORDERED CUSTODY OF MY NEPHEW, THE I CHING, AND OF COURSE, THE… 26:06

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What a year 2014 was! That's what motivated me to start this diary, which is now going on year 10. It was such a hairy time, in fact, that as a way to process it all, I hit upon the idea of creating a musical diary, using the I Ching - (something I'd been obsessing about) - as my guiding structure. My sister-in-law, Lea died suddenly, but before that Chemayne and I were mandated custody, by Court Order, of our nephew, Gunner. Oh, yes... and, then, out of nowhere, I contracted Bell's Palsy, which paralyzed half of my face. It's in the rear view mirror now, but, geez... that was trippy.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE" - SCOTT WALKER AND SERGE GAINSBOURG: TWO TRANSMISSIONS FROM OUT ON THE EDGE. DOUBLE DOWN!! 10:19

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What we’re offering today is something completely different: two outlier artists (although one is a French icon) who created off-kilter, out of the box, almost unintelligible nuggets of artistic brilliance. These cuts are linked, not only by the fact that they both feature sinuous bass lines and orchestral flourishes, but that they are produced by artists whose stances were uncompromising, prickly, unknowable - and, touched with stardust. SCOTT WALKER Scott Walker, whose rich, deep baritone was first introduced to the world in the early 1960s, with the internationally famous group, The Walker Brothers (they weren’t) - and their hit single “The Sun Ain’t Gonna Shine Anymore.” When he went solo he faced an uphill battle, trying to gain public acceptance for his dark, and tangled personal visions. I became enamored of his work when I heard his musical evocation of Ingmar Bergman’s The Seventh Seal. By 1970, his solo career went silent. Probably, as a financial imperative, he rejoined The Walker Bros, for some moderately successful MOR cover filled albums. But, in 1984 Scott’s mojo returned, triumphantly, with the album “Climate of the Hunter” from which this cut, Rawhide, derives. (Don’t worry about trying to figure out the lyrics - just let it wash over you). Against all odds, the “30th Century Man’s” time had come, and there was a whole new generation of acolytes, eager to drink the magic potions Scott was uncorking. SERGE GAINSBOURG Serge Gainsbourg’s unique 1971 concept album, Histoire de Melody Nelson, is a suite of songs telling the story of a doomed, illicit romance between a middle aged man and a 14 year old girl named Melody, portrayed by his muse, the dreamy actress and model, Jane Birkin, who also graces the cover. Produced far before the “Me Too” era, this provocative and subversive pop-music drama was not offensive to the French; on the contrary, it cemented the French chameleon’s iconic status, and the celebrity couple became the subject of much tabloid journalism. His stylish, outlaw decadence generated a fascination that continues to this day. Gainsbourg, born Lucian Ginsburg, the son of Russian-Jewish immigrant parents, was a manufactured creation. He took his nom de musique as a tribute to the English painter Thomas Gainsborough. And, after surviving the German occupation of France during WW2- (he recalled having to wear the Yellow Star, which identified him as a Jew) - he went on to carve out an indelible new identity of swagger, writing and producing over 500 pop hits spanning several genres. He was one of a kind.…

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THE SPLENDID BOHEMIANS PRESENT "THE BEAT GOES ON"- EPISODE 1-THE ROSY DRAMA OF HENRY MILLER -THIS NEW SERIES CAPTURES A LITERARY MOVEMENT GUIDED BY INDIVIDUALISM, LUNACY, INGENUITY AND THE BE BOP… 53:20

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Welcome to our new series, “The Beat Goes On,” where we will celebrate the work and enduring influence of Jack Kerouac, Allen Ginsberg, William Burroughs, and the other writers whom we identify as “The Beats.” - that crop of artists who worked to expand our consciousness, exploring the hidden possibilities of post WW2 America in the 1950s - Other significant names to be explored: Diane Di Prima, Tuli Kupferberg, Ed Sanders, Delmore Schwarz, Anne Waldman, Carolyn Cassidy, and many others. We will also include jazz musicians like Miles Davis, John Coltrane and Dizzy Gillespie, whose sinuous Bebop lines influenced the expansive prose of Kerouac and poetry of Ginsberg, and comedians like Lenny Bruce, Lord Buckley, Brother Theodore and Dick Gregory with their scathing critique and unmasking of our nation’s hypocrisy beneath the self-deceptive rhetoric of American exceptionalism. And, then there are their artistic children like Hunter S. Thompson, Charles Bukowski, Tom Waits and Lou Reed…. The list goes on. First off: we need to define that confusing term “beat”… Once the satirists were able to pin them down, the Beats and their devotees were labelled “Beatniks” (a cold war epithet) and put into a farcical box. This is where I, as a child, first became aware of them through the character of Maynard G. Krebs on the Dobie Gillis show. The child-like, pre-hippie with the dirty sweatshirt and goatee, indelibly played by Bob Denver, later of Gilligan fame. He was a gentle figure of fun, not to be taken seriously. But, the truth goes so much deeper. Kerouac defined Beat as short for “beatitude” - a state of grace, a codex for the maturing “peace and love” Baby Boom generation coming up - those in search of existence’s deeper meaning beyond the consumerist and war-like American culture being offered as our only option. Well, boy, do we need them now! HENRY MILLER INTERVIEW Our inaugural offering is a 1964 interview with the writer Henry Miller, of TROPIC OF CANCER, TROPIC OF CAPRICORN, and THE ROSY CRUCIFIXION TRILOGY fame, among many others. This is an insightful, in depth look at a artist of gargantuan influence. Miller was interviewed by Audrey June Wood in Minneapolis during a speaking tour; he considered this interview to be one of his best. Miller discourses on some of his favorite books and authors and the struggle of writing well. It was released on Smithsonian/ Folkways Records. Strictly speaking, Miller was not a Beat - he preceded them, and out lived many of them, making it to 88 in 1980, but he was their spiritual and artistic pathfinder. Living hand to mouth, on the edge, abroad in Paris, writing free form in a raw, explicit, semi-autobiographical manner, telling the truth about sex, love, art, and struggle - he set the artistic compass for the Beats - as Dostoevsky and Walt Whitman had done before him. They are all part of a chain - a chain of searchers, and we are fortunate to have these lights to guide us on our own personal journeys to self realization. Please enjoy…THE BEAT GOES ON.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE." THE VIRTUES OF CYNICISM AS DEMONSTRATED BY MARSHALL CRENSHAW AND THE ORLONS. DOUBLE DOWN!! 9:33

24 hari yang lalu9:33

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Today we live in a cynical world. It’s pervasive, this debilitating disbelief in our institutions, our once assured tenets of groundedness. Now we doubt, not only what we see, but what we hear, and even our own thoughts. Are they indeed our own? Or, have they been shaped by the unrelenting marketers and influencers? Back in the 80’s - even earlier back in the 60’s the attitudes of boredom and mistrust seemed exclusively the province of old school Europe, in particular the French, who invented the perfect word for it: Ennui. The great bon vivant, George Sanders, in his suicide note explained that he was leaving his life because he was bored. In the following offerings we celebrate a time when cynics could be appreciated as unique and exotic. CYNICAL GIRL by Marshall Crenshaw proclaims the lure of nihilism in a poppy, irresistible interpretation. And, THEM TERRIBLE BOOTS by the Orlons makes fun of a wannabe fashionista at the crossroads of burgeoning Mod style. MARSHALL CRENSHAW In Marshall Crenshaw’s 1982 eponymous debut album, CYNICAL GIRL chimed out so brightly it was a paused that refreshed. The singer wants a cynical girl who has no use for the real world, and this notion, wrapped in candy colored chords, invited us to embrace the “Debbie Downers” in our lives, and to realize there’s something comforting in the dark side. Maybe we could save each other. Crenshaw, the latter-day, second coming of Buddy Holly even portrayed the Proto-Rock God in “La Bamba” and charmed the world with his unapologetic cheeriness. But the euphoria couldn’t last. His debut outing achieved his highest chart position, but it was a bracing example of positivity while it lasted. THE ORLONS This quartet of street-wise, Philly teens made the trsition from middlin’ Doo-Wop practitioners to dance craze mega stars with their triple crown of chart toppers: Wah Watusi, Don’t Hang Up, and South Street, evolving into one of Cameo-Parkway’s hottest acts. THEM TERRIBLE BOOTS from 1962 was the B-side to South Street, and rode that comet’s tail into recording history. It’s an evocative glimpse into that time when the cultural landscape was in transition from the staid 50s to the super-charged 60s. The aforementioned cynicism is reflected in the mockery to which the dude who is wearing the mod clothes is subjected. But, he was just probably a bit ahead of his time. When the only male member, (and survivor) of the group, Stephen Caldwell, repeats the title phrase in his basso profundo, the whole salty world view clicks into place.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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A DIG THIS SPECIAL PRESENTATION- CHARLES BUKOWSKI- THE HOME CASSETTE RECORDINGS- LOUISIANA, 1970- HIS PROLIFIC WORK REFLECTED AN UNDERGROUND DRAPED IN A VELVET CLOTH SIMILAR TO THAT OF LOU REED &… 59:36

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BUKOWSKI SPEAKS!!!!! Cause and Effect -For Kurt Cobain "the best often die by their own hand just to get away, and those left behind can never quite understand why anybody would ever want to get away from them" Bukowski writes with no apologies from the frayed edge of society. “Some people never go crazy. What truly horrible lives they must lead.” “For those who believe in God, most of the big questions are answered. But for those of us who can't readily accept the God formula, the big answers don't remain stone-written. We adjust to new conditions and discoveries. We are pliable. Love need not be a command nor faith a dictum. I am my own god. We are here to unlearn the teachings of the church, state, and our educational system. We are here to drink beer. We are here to kill war. We are here to laugh at the odds and live our lives so well that Death will tremble to take us.” Bukowski's response to: “Do you hate people?” “I don't hate them...I just feel better when they're not around.” “Find what you love and let it kill you.” “If you're going to try, go all the way. Otherwise, don't even start. This could mean losing girlfriends, wives, relatives and maybe even your mind. It could mean not eating for three or four days. It could mean freezing on a park bench. It could mean jail. It could mean derision. It could mean mockery--isolation. Isolation is the gift. All the others are a test of your endurance, of how much you really want to do it. And, you'll do it, despite rejection and the worst odds. And it will be better than anything else you can imagine. If you're going to try, go all the way. There is no other feeling like that. You will be alone with the gods, and the nights will flame with fire. You will ride life straight to perfect laughter. It's the only good fight there is.” “We're all going to die, all of us, what a circus! That alone should make us love each other but it doesn't. We are terrorized and flattened by trivialities, we are eaten up by nothing.” Bluebird “Bluebird” is one of Bukowski’s best-known poems and came late in his life during a time of great reflection. It deals with one of deepest-rooted human emotions: vulnerability. Bukowski typically dealt with “hyper-masculine” subject matter, but this poem suggests that, like most men, Bukowski also struggled to live up to traditional notions of masculinity. there's a bluebird in my heart that wants to get out but I'm too tough for him, I say, stay in there, I'm not going to let anybody see you. there's a bluebird in my heart that wants to get out but I pour whiskey on him and inhale cigarette smoke and the whores and the bartenders and the grocery clerks never know that he's in there. there's a bluebird in my heart that wants to get out but I'm too tough for him, I say, stay down, do you want to mess me up? you want to screw up the works? you want to blow my book sales in Europe? there's a bluebird in my heart that wants to get out but I'm too clever, I only let him out at night sometimes when everybody's asleep. I say, I know that you're there, so don't be sad. then I put him back, but he's singing a little in there, I haven't quite let him die and we sleep together like that with our secret pact and it's nice enough to make a man weep, but I don't weep, do you? This was published in Bukowski's book "The Last Night of the Earth Poems" circa 1992…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE SPLENDID BOHEMIANS PRESENT BILL MESNIK'S "CALL ME UP IN DREAMLAND" EPISODE #2. THE DIARIST REVISITS A PASSAGE FROM HIS DREAM JOURNAL, WRITTEN IN 2019, IN WHICH HE DESCRIBES HIS STRUGGLE TO… 30:23

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THERE'S NO BUSINESS LIKE SHOW BUSINESS I've been keeping a diary and dream journal for ten years. Recently, I hit upon the idea of revisiting and recording passages of the diary in a quest to understand myself better by connecting the dots between dream life and the time awake. The first episode explored 2024; this second entry revisits a passage from 5 years earlier. It was the summer of 2019. I experienced an earthquake, a car accident, and the difficult birth of an original theater piece, which came to be known as "Toxic Shocks". The project was suggested in order to address some issues surrounding student's concerns, which will be enumerated within. This necessitated a new approach to theatrical devisement (is that a word?) --, and I embraced the challenge wholeheartedly. Despite my being all in, things got a bit rocky. The passages from the diary describe the difficult birthing process, and the effect on my dream life.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE" - 12 BARS AND THE TRUTH WITH HARVEY MANDEL AND J.B. HUTTO. DOUBLE DOWN! 10:22

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It seems as though the 12 bar blues structure is an immovable object, an obelisk of sacred, ritualistic, totemic authority. But the form contains multitudes of variety. Here are two examples of the plasticity of that container, which holds the magic blues elixir and can pour it smoothly, or have it gush out, uncontrollably, like a tidal wave. So, be careful when you put your lips to the chalice … the edges can be sharp, and the liquid it delivers may be too intoxicating! Up first, we have Harvey Mandel, the “Snake”- a guitar wizard, brandishing and slashing his ax-cutlass like a pirate, as he boards equilibrium’s frigate docked inside your ear canal, with his own composition, 4pm; then, JB Hutto and the Hawks stagger through “Too Much Alcohol” like drunkards in search of another, much needed pint of medicine - with his razor sharp slide work JB illustrates those sensations perfectly, with an insistent, whimpering pulse. HARVEY MANDEL In 1967, Samuel Charters, for Vanguard records, in an early effort to reveal and showcase the second generation of Chicago’s blues scene, produced harmonica master, Charley Musselwhite’s first album STAND BACK! HERE COMES CHARLEY MUSSELWHITE’S SOUTHSIDE BAND, and caused a literal big bang in the hearts and minds of American youth. This was Harvey Mandel’s first recording, and launched the notable guitar slinger for hire’s 60 year career, going on to join Canned Heat, John Mayall’s Bluesbreakers, recording many solo efforts, and landing one step away from becoming a Rolling Stone. Known as “the King of Sustain,” our track, 4pm, showcases the longest sustained electric guitar note at age 21, a feat copied by Jimi Hendrix two years later. Harvey’s inventive style is trademarked, and you can hear those clarion notes ringing out like a buzz saw, transitioning from one amazing improvisation to the next. JB HUTTO AND THE HAWKS The next cut, TOO MUCH ALCOHOL, also on the Vanguard label - featured on 1966’s Chicago / Blues / Today! Sounds almost like it could have been recorded in the previous century, when, fresh off the farm, players were captured in their first big city outings on lo-fi recordings - it’s that raw and spiky. And, yet, both Mandel and Hutto were breathing the same mid-60s Chicago air. JB’s slide style was influenced by Elmore James, of DUST MY BROOM acclaim, and he carried that torch forward. The son of a preacher from South Carolina, Hutto made his way to Chicago after his father’s death in the early 50s, but ended up working as a janitor for 11 years, until, in the mid 60s, he was discovered and unleashed on the world by Vanguard.…

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THE SPLENDID BOHEMIANS PRESENT BILL MESNIK'S NEW PILOT PROJECT: "CALL ME UP IN DREAMLAND," IN WHICH OUR INTREPID NAVEL GAZER TRIPS THE LIGHT FANTASTIC DOWN THE CORRIDORS OF HIS DREAM JOURNAL AND… 33:17

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In 2005, while visiting the gift shop at the downtown Los Angeles MOCA museum, I came upon a blank journal with a cover fashioned from a salvaged vinyl album by The Allman Brothers. It had the pink Capricorn label. As a lover of vinyl I grabbed it, and decided to begin a journal. It’s been ten years, and I’ve been keeping this diary and transcribing my dreams ever since. Dreams, ideas for songs, and a chronicle of my family and interior life. I always intended to go back and see if there was some sense of something to be made out of it, and this is the first attempt at that. I hope you find it interesting. Bill Mesnik, 2025 “The Interpretation of dreams is the royal road to a knowledge of the unconscious activities of the mind. “ (Sigmund Freud) “In contrast to the subjectivism of the conscious mind the unconscious is objective, manifesting itself mainly in the form of contrary feelings, fantasies, emotions, impulses and dreams, none of which one makes oneself but which come upon one objectively.” (Carl Jung) " Myths are public dreams; dreams are private myths. By finding your own dream and following it through, it will lead you to the myth-world in which you live. But just as in dream, the subject and object, though they seem to be separate, are really the same." (Joseph Campbell) “One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams.” (Salvador Dali)…

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE:" THE BENEFITS OF VERSATILITY WITH DANNY KAYE. DOUBLE DOWN!! 9:48

5 weeks yang lalu9:48

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DANNY KAYE: THE BENEFITS OF VERSATILITY David Daniel Kaminsky (1911-1987), known to the world as Danny Kaye, was an entertainer that could do it all. He was as adept at pathos as he was at antic comedy, and he captivated audiences throughout the 1950s with his magic. His signature patter songs, represented by our first number: Anatole of Paris, were crafted for him by his business partner and wife, Sylvia Fine, and together they made film and Broadway history. This is a fascinating connection that deserves a deeper dive. Danny resembled my adored uncle Teddy, and I always associated them in my mind. They had similar profiles and hair styles, and I was delighted to discover that his people and mine emigrated from the same town in Ukraine. Throughout my early years Danny Kaye’s warmth and silliness provided a safe harbor against the anxieties of childhood. He was my ideal tutor in the film Merry Andrew, introducing the Pythagorean theory in song. Early on in his career, in 1934, Danny toured Asia - and it was there that he discovered and developed his skill at entertaining audiences who didn’t speak English, a key to his popularity with kids of all ages. ANATOLE OF PARIS This number comes from the 1947 film, THE SECRET LIFE OF WALTER MITTY, adapted form James Thurber’s novel about the day dreams of a hen pecked magazine editor. Sylvia Fine worked up this ditty where Danny fantasizes that he is a French milliner who bedecks ladies in ridiculous hats - because, as we find out in the punch line - he hates women. You can imagine the impish glint in Danny’s eye as he extrapolates on the outrages that he’ll commit to these chapeaux, and that’s one of the secrets of Danny Kaye’s success: the absolute delight he takes in wowing us with his lighter than air articulations. I WONDER WHO’S KISSING HER NOW And, here comes the other side of this complex coin - the opening up and sharing of his soulful humanity. This recording, also from 1947, has Danny - ever so tenderly - crooning over a lost love. The song, composed in 1909 by Harold Orlob, for the Broadway play, THE PRINCE OF TO-NIGHT, became a standard. In the hands of the master, this rumination is akin to listening in on the singer’s private thoughts, as opposed to a performance. As we said in the intro, this artist could do it all, and here is but a sampling of his versatility.…

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE" - IN SEARCH OF SOMETHING NOVEL: TWO MANIFESTATIONS OF GIDDY STRANGENESS FROM JERRY BLAVAT AND LARRY GROCE. DOUBLE DOWN!! 9:53

6 weeks yang lalu9:53

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The “Novelty” song has deep roots in popular culture. Masters of the form, like Weird Al Yankovic, Warren Zevon, Tom Lehrer, Spike Jones, and Allen Sherman have illuminated our consciousness and tickled our sense of the absurd. How much WAS that doggie in the window?…., WTF is Marzy dotes and dozy dotes about?…, They’re coming to take me away, Haha…(that one actually scared me). Probably each of us can recall from childhood some goofy ditty that either made you feel smarter, or got stuck inside your head like RFK’s brain worm. Let’s give thanks to Doctor Demento for archiving and disseminating many of these gems for future generations, and my introduction to Larry Groce’s Junk Food Junkie came from one of his collections. Jerry Blavat’s One More Time, Back to School may not demonstrate the same amount of cleverness, but its delivered lustily by one of the premier DJs of his time. LARRY GROCE Junk Food Junkie comes from 1975, and is perfectly in key with today’s anti-woke sentiments. But, Mr. Groce delivers his mockery with such gentleness and good humor that it creates a universal warmth devoid of malice. Yes, he intimates, you can try to be upright and health conscientious, but the reptilian brain in all of us needs to be satisfied - even if it has to happen under cover of darkness. Hypocrisy is the target here, and Mr. Groce, cast as the titular shlemiel, puts himself first in line for ridicule. JERRY BLAVAT Jerry Blavat’s “Horatio Alger” story reads like a Martin Scorsese screenplay. His colorful bio, recounting his journey from son of a Philly bookmaker, valet to Don Rickles, mob-connected DJ and club owner, to broadcasting Hall of Fame icon, could be the stuff of a Netflix series. Known as “the Big Boss with the Hot Sauce,” and “the Geater with the Heater,” Jerry swaggered through his bigger than life life like a toreador. But, lest we forget - it was always his love of those Philadelphian musical goodies - that made him a beloved home town super hero. 1965’s One More Time Back to School, on the Cameo Parkway label, is an fascinating glimpse into his inexhaustible energy. It’s delightfully sadistic as the singer declares the end of vacation time fun. Not only that, there is something in the edgy cacophony of its production, with the clanging cowbells, that evokes that end of summer feeling.…

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE." MYSTERIOUS, SWINGIN’ RHYTHMS CONJURED BY BENNY GOODMAN AND LITTLE JOEY AND THE FLIPS, DOUBLE DOWN!! 10:15

7 weeks yang lalu10:15

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What is it about a swing rhythm that sets hearts a flutter? It’s a universal truth. It may have started as an African secret formula, but it was co-opted and catapulted into white western culture by some hip caucasian standard bearers. Here we’ll examine the psycho-physical connection through two seemingly unrelated musical delicacies: one by the undisputed titan of respectable jazz, and the other by a racially mixed group of Philadelphia teens who barely made it out before the doo-wop death spiral. Bongo Stomp, from 1962, by Little Joey and the Flips, doesn’t even feature real bongos (the drummer Jeff Leonard is simulating the jungle signature on his toms). But, it definitely swings. The other showcases legendary stickman, Gene Krupa, who showed the world his undeniable big swinging dick energy. BENNY GOODMAN 1938 was ground zero, the big bang, the crossroads of Jazz and its soon to be birthed step-child, Rock n Roll. Benny Goodman and his band played Carnegie Hall and made history. First as a cultural event, and later, when the live recording was released in 1950 as a double album which sold over a million copies. Bei Mir Bist Du Schöen is a defiantly wonderful conglomeration of Yiddish lyrics delivered by Martha Tilton- (remember, simultaneously, Hitler was ramping up his power in Europe) - and, an irresistible swing rhythm smoothly rendered - which breaks into a kind of super charged klezmer section. It must have been startling in 1938, and it hasn’t lost its power to captivate almost 100 years later. LITTLE JOEY AND THE FLIPS By 1962, Doo-Wop was about to be consigned to the dust bin of History, along with the crooners that had dominated the previous decade. The British Invasion was about to begin, which would turn the record business on its head. But, just prior to that cataclysm, Joseph Hall and his 4 Pendleton wearing compadres arrive, dip dip dipping their striped hearts out, and they release this anomaly on Joy Records, which makes it to 33 on the charts. This was followed by only a couple more tries… then, oblivion. Maybe it was that swinging “bongo” break that lifted the Frankie Lymon-esque knock-off to its catchy heights?…

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THE BOHEMIA FILES- ROKY ERICKSON- "THE REVEREND OF KARMIC YOUTH"-THE THIN LINE BETWEEN ECSTASY AND NIGHTMARES- A COIN OF MADNESS AND THOUGHTFUL THUNDER- THIS WILL LEAVE YOU STANDING IN THE SHADOWS… 45:09

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THE REVEREND OF KARMIC YOUTH- 1The Interpreter 2Starry Eyes 3For You 4Bloody Hammer 5The Wind And More 6Night Of The Vampire 7You're Gonna Miss Me 8I Walked With A Zombie 9Stand For The Fire Demon 10 When You Get Delighted 11 To Think 12 Warning 13 True Love Cast Out All Evil 14 Loving Isn't A Part Time Thing 15 The Looking Glass Song As lead singer of Texas’ infamous 13th Floor Elevators — one of rock’s earliest, strangest and greatest psychedelic bands — Roky Erickson explored the far reaches of musical and personal extremes. The Elevators’ first two albums (Psychedelic Sounds of the 13th Floor Elevators and Easter Everywhere, released, respectively, in 1966 and ’67) are essential classics whose far-reaching influence transcends genre boundaries. Following a nightmarish ’70s mental-hospital stint that reportedly had a devastating long-term effect on his mental health, Erickson’s subsequent work revealed a singularly brilliant songwriter and performer whose talent was no less impressive for the fact that he was singing about zombies, vampires and aliens. Indeed, the demons that abound in Roky’s songs are all-too-real reflections of his own troubled psyche, and the combination of the artist’s oddly poetic lyrical constructions and his bracing banshee wail makes it clear, as it wasn’t always, that he’s not kidding. The Elevators fell apart in the late ’60s, when Erickson began a three-year stretch in a state mental institution to avoid criminal prosecution on a drug charge. He didn’t return to recording until the second half of the ’70s, with a string of one-off singles and the four-song Sponge-label EP (reissued in 1988 as Two Headed Dog). Three of the EP’s numbers were re-recorded for the 1980 CBS UK LP (the title of which is actually five unpronounceable ideograms). Roky Erickson and the Aliens is an excellent manifestation of his post-Elevators persona, expressing dark dilemmas through creepy horror-movie imagery. Roky sings such offbeat gems as “I Walked with a Zombie” and “Creature With the Atom Brain” in a tremulous voice that insists he’s telling the truth — or at least believes he is. Former Creedence Clearwater bassist Stu Cook turned in an excellent production job, bringing the hard electric guitars (and Bill Miller’s electric autoharp) into a sharp focus that underscores Roky’s excitable state. Erickson and band seem less unstable than the drug-crazed Elevators (best remembered for “You’re Gonna Miss Me”), but just barely.…

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THE BOHEMIA FILES- "IN THE BEGINNING"- RICH BUCKLAND'S 2009 TEST EPISODE FOR WHAT WOULD LATER BECOME THE PODCAST SERIES THE WORLD COULD EASILY LIVE WITHOUT- OR CAN IT? WITH WILLY DEVILLE, LENNY… 18:39

8 weeks yang lalu18:39

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SPLENDOR OF BOHEMIA PRESENTS- "IN THE BEGINNING"- RICH BUCKLAND'S 2009 TEST EPISODE FOR WHAT WOULD LATER BECOME THE PODCAST SERIES THE WORLD COULD EASILY LIVE WITHOUT- OR CAN IT? WITH WILLY DEVILLE, LENNY BRUCE AND OUR SPECIAL GUEST CHARLES MANSON-DIG THIS!

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THE BOHEMIA FILES- CHARLES MANSON- "THE WHITE ALBUM"- WITH THE EXCEPTION OF THE CHIPMUNKS CHRISTMAS ALBUM, THESE TRACKS COMPRISE THE FEEL GOOD, BAD & UGLY ALBUM OF ANY SEASON- THE ENTIRE 28 TRACK… 1:11:26

8 weeks yang lalu1:11:26

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'69 AND THE CRIME ETCHED IN TIME - "When I Was 17, It was not a very good year" Rich Buckland Well. Here is something I've yet to get over in all the years since I first read the grisly details of Sharon Tate’s murder in the Sunday newspaper’s Parade magazine when I was just a wacky hippie teen and beach Boys fanatic. Cult-leader and killer Charles Manson and Beach Boy drummer and surfer Dennis Wilson were friends. For a while, at least. Good enough friends that Manson and his “family” of young women lived with Wilson for several months. Good enough friends that Wilson convinced the Beach Boys to include a song written by Manson, who had musical ambitions, on their album 20/20 . Which brings me back to the main bad guy, Charles Manson. I knew as early as the Parade magazine article that Manson and his “family” had gone to Sharon Tate’s house looking for Terry Melcher, who did not live there. And I knew that Manson’s actual target was this Terry Melcher, who I also knew was Doris Day’s son. As it turns out, he was an important producer in the music industry. Yes indeed gand. The 60's was not all Peace, Love and Understanding. In 1988, Melcher earned a Golden Globe nomination for co-writing the song " Kokomo " with John Phillips , Scott McKenzie and Mike Love . Recorded by the Beach Boys, the song was featured in the 1988 Tom Cruise film Cocktail and hit No. 1 (the band's career fourth overall) on the Billboard Hot 100 . The single was certified gold with U.S. sales of more than one million copies. [18] Melcher later co-wrote and produced the band's 1992 studio album Summer in Paradise , which was the first record produced digitally on Pro Tools . Charles Manson- The White Album One of the two great influences on the thinking of Charles Manson, along with the Book of Revelation, was the musical group the Beatles. According to Family members, Manson would most often quote "the Beatles and the Bible." The two influences were linked, in that Manson saw the four Beatles members as being the "four angels" referred to in Revelation 9. Revelation 9 also tells of "locusts"--the Beatles, of course--coming out upon the earth. It describes prophets as having "faces as the faces of men" but with "the hair of women"--an assumed reference too the long hair of the all-male English group. In Revelation 9, the four angels with "breastplates of fire"--electric guitars--"issued fire and brimstone"--song lyrics. Manson believed that the Beatles spoke to him through their lyrics, especially those included in the White Album, released in December 1968. Several songs from the White Album crystalized Manson's thinking about a coming revolt by blacks against the white Establishment. He interpreted many of the songs idiosyncratically, believing, for example, that "Rocky Raccoon" meant black people and "Happiness is a Warm Gun" was a song about getting firearms to carry on the&…

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE." A HEX AND THE CURSE OF LOVE CONJURED BY COCK ROBIN AND OLIVIA RODRIGO. DOUBLE DOWN! 12:34

8 weeks yang lalu12:34

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Ok, folks, we’ve got an unlikely pairing of unrequited torch anthems with an almost 40 year time span between them, featuring points of view which diverge 180 degrees. The first, from Cock Robin, showcases synthesized sounds which seem like they were caught in amber in 1985, and the second, an astounding display of songwriting and vocal pyrotechnics from prodigy of the moment, Olivia Rodrigo. COCK ROBIN / WHEN YOUR HEART IS WEAK The Europeans understand love…it’s Amore in Italy, L’amour to the French, In German it’s Die Liebe, and it’s Liefde to the Dutch. Perhaps this is why Europe is where Cock Robin’s music made its biggest impact. This song, “When Your Heart Is Weak” which only made it to #35 in the US, was a top 20 hit across the European continent. Singer-songwriter Peter Kingsbury croons insinuatingly that he’ll patiently wait for his love object’s moment of weakness so he can pick the lock to her heart, and he clearly means business. (With an obsessiveness that borders on harassment, the song insists that her conquest is inevitable). As the synths swell in an oceanic tidal wave, the lover, who’s been waiting in the shallows for his moment, will swim over to his drowning muse, life preserver in his teeth, and rescue the maiden in distress - and she, eternally grateful, will be his forever. OLIVIA RODRIGO / VAMPIRE In the next scenario things have gone horribly wrong. Whatever strategy the “Vampire” of the title used to seduce this seething innocent, he left her wanting to eviscerate him publicly - which she has done in spades. This world wide chart topper, which started life as a plaintive piano ballad, was expanded, under Dan Nigro’s production, to become an operatic, pop rock anthem. Even the use of the epithet “fame fucker” did not deter the public’s monumental thirst to hear this song over and over again on repeat. (Although there is a clean version with the substituted “Dream Crusher” - which doesn’t quite compare, does it?) Olivia is 22, model gorgeous, and has amassed an army of pre-teen followers (Ala Taylor Swift). Her outspoken opinions and free use of sexual language have alarmed some parents, but, Ms. Rodrigo is a nice, well brought up lady who only wants to be a good role model, and gifted with a prodigious talent that promises to carry her the distance, expect more musical revelations in the years to come.…

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BILL MESNIK'S SUNNY SIDE OF MY STREET PRESENTS: DAYS OF WINE AND ROSES BY BILL EVANS AND TONY BENNETT (FANTASY, 1975) EPISODE #94 4:57

9 weeks yang lalu4:57

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Here is a “Sunny Song”, wherein the fleeting sunlight is a dappled reminder of the evanescence of existence. They’re all gone now: Bill Evans (piano), Tony Bennett (vocals), Henry Mancini (Composer), and Johnny Mercer (Lyricist), but their beautiful creation lives on to remind us to gather our rosebuds while we may. Sadness, and gratitude run in equal measure throughout all of the song’s manifestations. The title itself derives from an 1896 poem by Ernest Dowson, taken from the Roman poet, Horace, whose latin translates as: “The brief sum of life forbids us the hope of enduring long;” The film for which Mancini and Mercer furnished this deathless song, was so tragic in its portrayal of addiction, that, even as a 10 year old, I mourned for the hopelessness of Jack Lemmon and Lee Remick’s doomed romance that should have produced nothing but happiness, but brought only sorrow. In the magician's hands of Bill Evans, the chordal melody seems to waft in the breeze, and Tony Bennett’s voice, never more supple, interprets the wistfulness of unfulfilled longing with a seasoned perfection. The results: a collaborative triumph. Tony was quoted as saying that their recordings were “the most prestigious thing I ever did”. Quite a statement from the acknowledged master.…

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE" DOUBLE STANDARD: A CHEATER’S PURGATORY - A LANDSCAPE OF DECEPTION DELINEATED BY DON COVAY, MASTER OF MUSICAL PAIN AND PRIDE. FEATURING DON COVAY AND… 12:03

10 weeks yang lalu12:03

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When it comes to infidelity: can we have our cake and eat it too? In the following two songs, written by the incomparable Don Covay, this theme is explored. The two men narrating these tales of inconstancy are in turmoil - one cheater feels guilty, while the other betrayer is suffering from hurt pride - because his woman is playing the same game. The soulful bard who created these parables of marital strife covers the gamut here: in the first you’ll hear the voice of the creator himself, Mr. Covay, on a special alternate track of “I Was Checking Out While She Was Checking in”; the second song, “I Stole Some Love” features one of his best interpreters, Peter Wolf, of the J. Geils Band. Donald James Randolph, aka Don Covay aka “Superdude” left us in 2015 with a legacy of pungent excavations of the human psyche, often delivered with toe tapping, humorous perfection. Although he was a charismatic performer in his own right, he was known predominantly as a songwriter with an unerring instinct for hits. Starting out in the fifties as a chauffeur and opening act for Little Richard, Covay went on to pen a raft of chart toppers such as Mercy Mercy (recorded by the Stones), See Saw, and Chain of Fools, for which Aretha Franklin won a Grammy. But it was in ’72, doubling as an A&R man for Mercury Records, that Don hit performing pay dirt with “Superdude,” which contained the following song-monologue, which we are honored to present here with this alternate take, where the singer ruminates on the irony of his unique situation. In ’92, Don suffered a stroke, and Ronnie Wood of the Faces and the Stones, produced a tribute album entitled “Back to the Streets” which contained the Covay classic “I Stole Some Love,” delivered here with characteristic swagger by the one and only Peter Wolf - former front man for the J. Geils Band. 79 years old and still going strong, the ex late night DJ “Woofa Goofa”, turned undeniable Rock Star and raconteur, has recently delivered an engrossing memoir “Waiting on the Man: Artists, Poets, Drifters, Grifters, and Goddesses” about his life’s journey, and the iconic artists he’s encountered along the way- starting with his stint studying art at Tufts University, and rooming with David Lynch. (He was also married to Faye Dunaway for five years)…, so he knows a lot about a lot of stuff, including failed romance. And, on this cut, his tortured vocal attests to the emotional vise he’s caught in.…

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE" -NEW SERIES! WITH PETER COOK, DUDLEY MOORE, JAN BERRY, AND DEAN TORRANCE. TWO PAIRS OF ODD-FELLOWS, CAVORTING FOR OUR PLEASURE - DOUBLE DOWN! 7:58

11 weeks yang lalu7:58

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Right here, squaring off, from opposite sides of the Atlantic, we present: Dueling tag-teams of zaniness — wearing fanciful disguises, winking at traditional forms, and tweeting in a birdlike falsetto… Good stuff! BEDAZZLED The Faustian satire Bedazzled, created by genius comedian Peter Cook (who plays the Devil trying to bargain for souls), makes good use of the talents of his Chaplin-esque comedy partner, Dudley Moore (who you might remember from the hit films Ten and Arthur), who plays the shlumpy Wimpy Burger cook, Stanley, willing to bargain away his mortal soul for love. The team first worked together in the early 60s smash stage revue BEYOND THE FRINGE, then coalesced on the BBC as Pete and Dud, (and, later, even more darlingly in the scatalogical bootleg recordings of Derek and Clive). In 1966, with Bedazzled they were on the rise commercially, and Moore, an Oxford trained classical and jazz pianist, wrote all the music for the film. In this cut, entitled Leaping Nuns chorus, the sisters of the Order of Saint Beryl (including Stanley in full habit) show their devotion to the Saint by jumping on trampolines. JAN AND DEAN MEET BATMAN Also in ‘66, laboring secretly on a similar track, energized by the same Goon Show type inspiration, Jan Berry and Dean Torrance were working to expand, (but not abandon) their surf sound by adding a storyline and special effects, and creating some nutty theater of the mind. Who knows where this might have led, if Jan’s tragic car collision a few week’s after the record’s release, (resulting in his massive head injuries), hadn’t sidelined the team’s ambitions? Perhaps a blockbuster TV series…? There was always a comic element to the Jan and Dean performance style. (Check out the classic Rock concert film Tami Show, which they hosted). They may have looked like copper toned surf hunks, but maybe there was some Abbott and Costello lurking beneath the Golden Boy surface.…

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BILL MESNIK'S SUNNY SIDE OF MY STREET PRESENTS: BIG BAD BILL (IS SWEET WILLIAM NOW) BY RY COODER, (REPRISE, 1978) EPISODE #93 6:02

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From the first moment I heard this ditty, it became my theme song. I learned to play it - (in a far cruder fashion than Ry, of course) and worked it into my set list. Just like the character Bill in the narrative, - (my name, btw) - my reprobate ways had also been domesticated by love. And, another harmonic convergence: I had even spent a year in Louisville, Kentucky. Jack Yellen, the Jewish-Polish immigrant who wrote these Jazz-age lyrics, also penned Happy Days are Here Again, and Ain’t She Sweet. If he had only created these three songs, his oeuvre would have been impressive. His art was another example, like that of Irving Berlin and the Gershwins, of the affinity young Jewish musicians expressed for black culture. And, like the Semitic moguls of old Hollywood - they became reflectors of America’s aspirational self-image. Ry Cooder’s Jazz album was not exactly an anomaly - he has always been a musical archeologist, but on this collection he strove for unparalleled authenticity. Check out his jaw dropping rendition of Bix Beiderbecke’s In A Mist. Sublime. He’s a national treasure, and if the jaunty swing-time on this number doesn’t get your feet tapping - check your pulse - you might be dead.…

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HOTEL BOHEMIA PRESENTS "DAMAGE CONTROL"- THE BOYS REFLECT UPON THE ORIGINAL GIRL'S INTERRUPTED, ZAPPA'S MAGIC GROUPIE TROUPE, THE GTO'S - PLUS DAVID JOHANSEN BOARDS THE MYSTERY TRAIN WITH HIS HEART… 54:36

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"GRIEVING IN THE DOLLS HOUSE" David Johansen passed away peacefully at home on February 28, holding the hands of his wife Mara Hennessey and daughter Leah, in the sunlight surrounded by music and flowers. After a decade of profoundly compromised health he died at the age of 75. David and his family were deeply moved by the outpouring of love and support they’ve experienced recently as the result of having gone public with their challenges. He was thankful that he had a chance to be in touch with so many friends and family before he passed. He knew he was ecstatically loved. "My mother and I would like to thank everyone for the fathomless love and support you’ve all shown us since we went public with David’s diagnosis. We were able to make the last few weeks of David’s life with us as serene and anxiety free as possible. As well as alleviating some of our more pressing material concerns, this campaign did make David feel profoundly connected. He really did feel the love from everyone. For the time being we will leave the fund open to contributions, to continue to pay off the debts accrued during David’s long illness. We will share details about memorials and tributes soon. There will be several events celebrating David’s life and artistry, details to follow. Thank you so much for the …LUV Love, Leah and Mara" THE GTO'S -"PERMANENT DAMAGE"- THEIR LONE VINYL FOOTPRINT "HARDLY A CHEAP TRICK" These seven young women left a permanent mark upon my perceptions of the feminine equation and artistic desires during what was known as the 60's Summer of Love. So much to ponder about these girls who just wanted to have fun. They left a legacy which when viewed through the lens of artistic achievement, made them the first female Punk Rockettes. When the testimony is placed under the microscope of human triumph, destiny betrayed them. They were the creation of a time (The 1960's) and a place (Laurel Canyon) where history tells us that the possibilities of inclusion could make a groupie as appreciated as Joni Mitchell. Frank Zappa knew better. Frank understood the nature of Permanent Damage. The most famous and successful of the GTOs is Miss Pamela, currently Pamela Des Barres, author of the groupie-memoir I'm With The Band. Des Barres's new book, Let's Spend the Night Together, a collection of interviews with fellow rock groupies, was released on July 1, 2007. Miss Mercy's 'biography' was expanded at length within the chapter entitled, "Miss Mercy's Blues". Also within the book, Des Barres notes that Miss Cynderella died in 2007 under mysterious circumstances. Miss Christine died on November 5th, 1972, of an overdose in a hotel room, after spending close to a year in a full body cast to correct her crooked spine. Miss Lucy died of an AIDS-related disease in the early 1990s. During her time as a GTO, Sandra became pregnant by Zappa's resident artist, Calvin Schenkel, and had a daughter named Raven. Miss Sandra later moved back to San Pedro and eventually Italy with her new husband and three children. She died of cancer on April 23, 1991. Miss Sparky is still alive, but not much has been divulged of her post-GTO's endeavours. In Circular Circulation, They Circle Continuously. - Rich Buckland…

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE" -NEW SERIES! WITH MILEY CYRUS AND CYNDI LAUPER, SPANNING GENERATIONS: TWO PYROTECHNICAL DIVAS SPILL THEIR GUTS FOR OUR ENLIGHTENMENT - DOUBLE DOWN! 11:25

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DOUBLE TROUBLE: CINDY LAUPER AND MILEY CYRUS Two towering, Olympian female voices, from different generations, aligning here to honestly testify about their love damaged hearts. They describe world’s of hurt, confusion, and finally, triumph in the face of loss. Miley Cyrus “Heart of Glass” I love Miley Cyrus - not only because she carries the flag of peace, love, and musical tradition with her Happy Hippie Foundation, and, at the same time, continues to reinvent herself and confound expectations, but because she’s one of the most captivating singers America has ever produced. Here she isn’t channelling Debbie Harry’s Blondie anthem, so much as honoring the past, and goosing the disco chestnut with rock n roll hydrogen. Displaying the vocal power of a roaring jet plane, Miley conveys a super sonic vibration alongside the mournful cry of an injured wolf. Before I ever saw her, I auditioned for her Disney show, Hannah Montana. I’m glad I didn’t get that job, because the Miley that I was finally introduced to was not a preternaturally talented moppet, but it was The Wrecking Ball, the Can’t Stop Won’t Stop girl - the irresistible force for all that’s forward looking in this society, and at the same time Dolly Parton’s God daughter. What a combo! Cyndi Lauper “I’m Gonna Be Strong” When Cyndi Lauper emerged from the depths of Queens (my home ground), wearing orange hair and thrift store swag, singing about how Girls just wanna have fun, and mugging on MTV besides Captain Lou Albano, the wrestler, I loved her kookiness, but I was sure that she was not gonna be around that long. Boy, was I wrong. She demonstrated her amazing writing and vocal chops in all genres, spoke her mind faithfully about human rights, and in short order became a feminist icon. She has even scored big as a Broadway composer with the sensational Kinky Boots. For over 40 years she has dominated our national consciousness, and this year, as she makes what she claims is her farewell tour, she continues to represent unwavering notions of integrity, self-respect, and professionalism with undeniable power. Here she is reviving the 1964, Gene Pitney hit composed by Barry Mann and Cynthia Weil, with a gut wrenching, operatic dynamism that leaves me speechless.…

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE" -NEW SERIES! WITH NANCY SINATRA, LEE HAZELWOOD, AND MIMI FARINA - A THEATER OF DREAM LOGIC, PAIRING TUNES WHICH CONNECT THE DOTS OF POPULAR MUSIC -… 11:25

14 weeks yang lalu11:25

11:25

Ladies and Gentlemen, welcome back for more DOUBLE TROUBLE Let’s talk about dreams…. Dreams can be intoxicatingly erotic; they can be filled with loss and longing; you might be falling, trapped in an confusing maze, or carried across bodies of water in a leaky boat. I often have the actor’s nightmare - where I’m about to go onstage, but I don’t know my lines and I don’t even know which play it is. These are dreams from which I wake up in a cold sweat. SUMMER WINE by Nancy Sinatra and Lee Hazelwood (Reprise, 1966) A Succubus is defined as a female demon or supernatural entity that appears in dreams to seduce men. This is probably what singer-songwriter-producer Lee Hazelwood had in mind when he paired up with the husky voiced Nancy Sinatra to tell the story of a cowboy who swaggers into town, and meets an alluring siren, who then invites him to spend the night partaking of her special home-made brew. He drinks too much of the elixir and wakes up the next morning alone, hungover, and without his silver spurs. This might have been a cautionary tale, but the smitten cowboy is left craving more of the same. Understandable. Nancy had seduced us all with These Boots Are Made For Walkin’ and Sugar Town, and was at the peak of her magnetic powers. Teaming up with Lee was a smart move, too, because this Svengali was an American original; an independently minded auteur, with an irresistible basso, who, with his muse, went on to create many evocative and enduring tracks before going their separate ways. The structure of the song is simple: Nancy sings only the recurring chorus describing her recipe: “Strawberries, Cherries, and an Angel’s kiss in spring…” This plays like an ear worm, stuck in the cowboy’s head as he relates his mysterious tale of submission. HOW CAN WE HANG ON TO A DREAM by Mimi Farina (Philo, 1985) Mimi Farina became a widow at age 21. The younger sister of Joan Baez, who was one half of an anointed, royal duo of folk music, was left bereft when Richard Farina, her husband and partner, rode his motorcycle into oblivion. After casting about for years, trying to find her civic, and artistic footing (forming the charitable performing organization, Bread and Roses - and, even trying improv comedy) - she finally emerged in 1985, stronger and more confident at the age of 40, with a beautiful solo effort. Here she interprets the Tim Hardin composition HOW CAN WE HANG ON TO A DREAM? - which delicately puts all her trials into perspective. Mimi died of cancer in 2001, leaving behind a legacy of fragile, dream-like beauty and wonder. It seems that some people are too good for this world. I’m reminded of Richard and Mimi’s anthemic PACK UP YOUR SORROWS…”If somehow you could pack up your sorrows, and give them all to me….you would lose them, I know how to use them, give them all to me.” Mimi did just that for us.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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HOTEL BOHEMIA PRESENTS " THE UNBEARABLE LIGHTNESS OF MEANDERING "- THE SPLENDID BOHEMIANS ARE AT IT AGAIN AS THEY DELIBERATE THIS MORTAL COIL, MUSK MADNESS, JERRY BUTLER, MAD MAGAZINE, MARY WEISS &… 1:27:43

14 weeks yang lalu1:27:43

1:27:43

Today's Affirmation: "She Let's Me Watch Her Mom and Pop Fight" Writers: N. Blagman *, S. Bobrick Although she isn't much to look at, And she isn't very bright. I love her, I love her, Oh boy how I love her 'Cuz she let's me watch her mom and pop fight. To see a lamp go through the window And watch them kick and scratch and bite. I love her, I love her, Oh boy how I love her 'Cuz she lets me watch her mom and pop fight. And Friday night, It's something wonderful to see When her pop comes home with Only half his check. We split a candy bar And watch World War III, It's got necking beat to heck! I'm gonna make that gal my steady Because they're at it every night. I love her, I love her, Oh boy how I love her 'Cuz she let's me watch her mom and pop fight.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE" -NEW SERIES! WITH ROBERT PLANT AND ROGER MCGUINN - A DUPLEX OF RHYTHMIC REACTION PAIRING TUNES WHICH CONNECT THE DOTS OF POPULAR MUSIC AS BILL MESNIK… 12:14

15 weeks yang lalu12:14

12:14

Lennon and McCartney eloquently recited an affirmation stating that In My Life I Loved Them All. The affection for certain artists and the melodic poetry they injected into our souls has remained in our wiring through the good, the bad and the uncertain times of our lives. One beloved gentleman we cherish was known as Arthur Alexander. Known as June to his closest companions, he was a one of a kind country-soul songwriter and singer. It can easily be said that he invented the genre. The fifth American studio album by the Rolling Stones, released in December 1965, contained the Alexander classic "You Better Move On". From that moment on I was hooked on his intimate honesty and at times, the violent dillemas created within the stories he told. From "Anna" to "Rainbow Road" he took us into a world of hurt, light and truth. "Anna" was first made familiar to us all through the Beatles cover version of this classic. On June 17, 1963, they performed the tune for the BBC radio show Pop Go the Beatles and was included on their Vee Jay LP Introducing The Beatles. In 1994, "Adios Amigo: A Tribute to Arthur Alexander" was released with industry legends engaging their versions of some of his classics. Roger McQuinn, the man whose voice elevated the Byrds to historic heights recorded "Anna" for the occasion. His reading of this tear stained composition is dealt a tender touch and inspires the notion that when the very best translate the very best, we are often rewarded beyond emotion. On that same tribute recording, another unexpected performance is revealed. Robert Plant, known for his howling , screeching and a jet plane vocal roar illustrated in the metal blues ventures of Led Zeppelin offered up a remarkable surprise. Plant's ability to take Arthur's haunting chant' "If It Really Has To Be This Way" down a road of interrpretation few of us knew he could travel, is a revelation which should inspire every singer to better worlds. Once again, proof of emotive genius is discovered when a vocalist of Plant's caliber is sworn to the oath of conveying the inner depth of the heart as written by a master of song craft. And so we enter this new realm of Double Trouble with the talent and awe of three pioneers of popular music. We double down on the voices of Robert and Roger as the giant shadow of Arthur Alexander conducts a human orchestra of words, urges and the need to confess that which few are capable of expressing with such passionate poise. Robert remains with us at 82 and Roger at 76. Arthur Alexander boarded The Mystery Train on June 9, 1993 at 54. Ladies and gentleman. Welcome To Double Trouble. Rich Buckland…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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A SPECIAL VALENTINE'S DAY TWO-FER SPECIAL FROM BILL MESNIK'S "SUNNY SIDE OF THE STREET" SONGS: ANNE BRIGGS SINGING "SHE MOVED THROUGH THE FAIR", AND ELVIS COSTELLO PERFORMING "OPPORTUNITY"! NO… 7:57

16 weeks yang lalu7:57

7:57

Hello Young Lovers! Welcome to a special Saint Valentine’s Day TWOFER from The Splendid Bohemians: Today we’re featuring two enchanting, encyclopedic British song stylists: Anne Briggs and Elvis Costello. First up: the majestic Ms. Briggs. SHE MOVED THROUGH THE FAIR by Anne Briggs (Topic, 1963) Barefoot and bedraggled, Anne Briggs became the muse of the British Traditional Folk Boom in the early nineteen sixties. Her short performance career of mystical magic was retired at age 27, leaving behind a limited, but monumental discography. I first heard She Moved Through the Fair on Irish Heartbeat, made by Van Morrison and the Chieftains, and it’s ethereal message left me paralyzed with romantic longing. But, that was just the prelude to my discovery of the plangent tones from this Goddess of acapella Celtic song. OPPORTUNITY by Elvis Costello and the Attractions (Columbia, 1980) This cut from my favorite Elvis Costello album, GET HAPPY!!! Is R&B funky with a Stax inspired beat and tasty organ punctuations by Steve Nieve. The music is absolutely giddy, and although the acrid lyrics - (so typical of the former Declan Patrick MacManus during this early period) - may be pessimistic and sneering, the overall effect is energizing. In fact, the recurring refrain: “this is your big opportunity….”, with the caveat: “don’t turn around” indicates the intense, forward-looking dedication with which this artistic social climber fueled his rocket-like ascent to the firmament of the musical masters. Although Elvis succeeded handily, his early anti-authoritarian stance reminds me of so many other also-rans that, in preparation for their inevitable fall to irrelevance and obscurity, padded the ground below with a protective “fuck you” attitude. But, you knew all along that underneath the bravado that they really craved the gatekeepers recognition. The jaunty music belies the message of the sour lyrics, implying an alternate, more inspiring interpretation: Be alert! Recognize your opportunities and grab them while you can.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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HOTEL BOHEMIA PRESENTS "ALAN FREED'S BOULEVARD OF BROKEN DREAMS "- IN 2014, THE ROCK HALL OF FAME REMOVED FREED'S ASHES FROM DISPLAY- IT WAS THE FINAL INDIGNATION IN A LIFE DEVOTED TO THE MUSIC AND… 29:09

17 weeks yang lalu29:09

29:09

“Rock ’n roll is really swing with a modern name,” Freed once said. “It began on the levees and plantations, took in folk songs, and features blues and rhythm. It’s the rhythm that gets to the kids – they’re starved of music they can dance to, after all those years of crooners.” HISTORICAL ALAN FREED MOMENTS: Freed moved to WINS in New York in 1954 where his late night radio show became known as Alan Freed's Rock ’n’ Roll Party. His popularity was immediate and so was the criticism. In July 1957, Freed was given his own nationally televisedrock ’n roll dance show billed as “The Big Beat" on ABC-TV. The show featured a mix of pop and R&B acts. Early reviews for the national show were good, but it was cancelled abruptly after Frankie Lymon, one of the show's black performers, was shown on air dancing with a white girl.The biracial dance scene enraged ABC’s Southern affiliates and the network cancelled the show despite its growing popularity. Freed was featured in five of the earliest rock ’n’ roll movies – Rock Around the Clock and Rock, Rock, Rock in 1956; Mister Rock And Roll and Don’t Knock the Rock in 1957 and Go Johnny Go in 1958. Freed was initially interred in New York, the city where he died at 43 in 1965. His family moved his remains to Cleveland years later and then to the Rock and Roll Hall Of Fame Museum 12 years ago, his son Lance Freed said. “I thought this was the last move, but then I got this call to move him,” Freed said. “He said, ‘You’ve got to come pick him up.’ “ “The museum world is moving away from exhibiting remains” since ashes don’t help tell a story, he was told. Bullshit. The Hall's Board simply felt human remains did not belong where they could depress those paying for admission. Alan Freed Urned His Right To Remain In The Home That Utilized His Rock and Roll Signature As It's Way Of Earning Millions Upon Millions Of Dollars. PLEASE VISIT THE ALAN FREED ARCHIVES AT: https://www.alanfreed.com/wp/archives/…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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"IT IS THE EVENING OF A LEGEND" - MARIANNE EVELYN GABRIEL FAITHFULL - DECEMBER 29, 1946 - JANUARY 30, 2025- IN HONOR OF AN ARTIST, A POET AND A TESTAMENT TO THE POWER OF REINVENTION- FEATURING HER… 17:10

18 weeks yang lalu17:10

17:10

Marianne Evelyn Gabriel Faithfull has boarded The Mystery Train at 78. In the 70's she was anorexic, homeless and addicted to heroin. At the time of her passing she had acquired the status of legend. Marianne was a genuine, brilliant artist in a sea of impostors. Sleep Well in that ocean you struggled so hard to master regardless of the merciless tears that passed by.- Rich Buckland…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

1
BILL MESNIK'S SUNNY SIDE OF MY STREET PRESENTS: SHE CAUGHT THE KATY, LEFT ME A MULE TO RIDE BY TAJ MAHAL (COLUMBIA, 1968) EPISODE #92 6:10

19 weeks yang lalu6:10

6:10

Henry St. Claire Fredericks, Jr., aka Taj Mahal is 82 years of age, and like that monument in Agra, he stands as an ageless edifice of blues - rock grace. On his latest recording he croons in that familiar rasp: “I’m too young to be this old,” and there’s no denying the truth of that declaration. As the years have passed, it’s gratifying to contemplate that, 60 years ago, Taj and Ry Cooder combined forces in the seminal, interracial rock group The Rising Sons, then went their separate ways to establish themselves as the foremost living treasures of Americana and world music. I would venture to say that, similarly to the white British rockers who influenced a generation when they recycled the blues back to America, Taj and Ry did the same thing, on their home soil, with more humility.. I have a distinct memory of being ensconced during an arduous Iowa winter, laboring to get this song down for my set at the student union: one man, one guitar,- trying to catch the funky groove of the thing. The syncopation between Al Kooper’s piano, Jesse Ed Davis’s guitar and Gary Gilmore’s bass, propels this cut forward, moving it along a track of joy - even as the singer is bemoaning his lost love. That’s the thing about Taj: his ever-present, infectious humor is fundamental to his magical appeal. And, the fact that he took his name in tribute to Gandhi, a man of peace, speaks mightily to his personal mission to make us all happy.…

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