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Konten disediakan oleh Centre d'Art Contemporain Genève. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Centre d'Art Contemporain Genève atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
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Overmorrow’s Library
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Manage series 2946428
Konten disediakan oleh Centre d'Art Contemporain Genève. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Centre d'Art Contemporain Genève atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
The Centre d'Art Contemporain Genève presents Overmorrow’s Library, a podcast series by Federico Campagna, available on the 5th floor (digital extension): https://5e.centre.ch/en/ The library for ‘the day after tomorrow’ is dedicated to books and authors whose work explores the limits of the ‘world’ as the frame of sense through which our consciousness experiences the chaos of reality. Each new episode presents a book that engages with the challenge of world-making, with the end-time of a world, or with the eternal unworldly. Spanning mysticism, politics, mythology, philosophy, video-game design and more, the shelves of Overmorrow’s Library are a space for experimenting with the apocalypse, and with the ignition of new cosmogonies. Federico Campagna is an Italian philosopher and writer living in London. His latest books are ‘Prophetic Culture: Recreation for Adolescents’ (Bloomsbury, 2021), ‘Technic and Magic: The Reconstruction of Reality’ (Bloomsbury, 2018), and ‘The Last Night: Anti-work, Atheism, Adventure’ (Zero Books, 2013). He is a lecturer and tutor at KABK, The Hague, and has presented his work in institutions including the Warburg Institute, the Royal Academy, the 57th and 58th Venice Biennale, Documenta 13, Winzavod Center, Jameel Art Centre, Tate Modern and the Serpentine Gallery. He is the director of rights at the radical publisher Verso Books. Image credit: The Gilgamesh Tablet (Library of Ashurbanipal), 7th c. BCE. The British Museum, London. © The Trustees of the British Museum.
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35 episode
Tandai semua (belum/sudah) diputar ...
Manage series 2946428
Konten disediakan oleh Centre d'Art Contemporain Genève. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Centre d'Art Contemporain Genève atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
The Centre d'Art Contemporain Genève presents Overmorrow’s Library, a podcast series by Federico Campagna, available on the 5th floor (digital extension): https://5e.centre.ch/en/ The library for ‘the day after tomorrow’ is dedicated to books and authors whose work explores the limits of the ‘world’ as the frame of sense through which our consciousness experiences the chaos of reality. Each new episode presents a book that engages with the challenge of world-making, with the end-time of a world, or with the eternal unworldly. Spanning mysticism, politics, mythology, philosophy, video-game design and more, the shelves of Overmorrow’s Library are a space for experimenting with the apocalypse, and with the ignition of new cosmogonies. Federico Campagna is an Italian philosopher and writer living in London. His latest books are ‘Prophetic Culture: Recreation for Adolescents’ (Bloomsbury, 2021), ‘Technic and Magic: The Reconstruction of Reality’ (Bloomsbury, 2018), and ‘The Last Night: Anti-work, Atheism, Adventure’ (Zero Books, 2013). He is a lecturer and tutor at KABK, The Hague, and has presented his work in institutions including the Warburg Institute, the Royal Academy, the 57th and 58th Venice Biennale, Documenta 13, Winzavod Center, Jameel Art Centre, Tate Modern and the Serpentine Gallery. He is the director of rights at the radical publisher Verso Books. Image credit: The Gilgamesh Tablet (Library of Ashurbanipal), 7th c. BCE. The British Museum, London. © The Trustees of the British Museum.
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35 episode
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Overmorrow’s Library

1 S2E17 – Arturo Campagna on history for children 17:45
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Image: The Rock Nobody Could Lft, etching by Rain Wu (2018)
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1 S2E16 – Nicolas Jaar on sound and silence 32:37
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Image credit: Ceramic figurine from the Moche culture of the north coast of Peru depicting a flute player.
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Image credit: The prophets Elias and Khadir at the fountain of life, late 15th century. Folio from a khamsa (quintet) by Nizami (d. 1209); Timurid period. Opaque watercolor and silver on paper. Herat, Afghanistan.
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1 S2E14 – Manlio Poltronieri on the Buddhist Dharma and the West 21:22
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Image credit: Womb Realm (garbhakosa-dhatu or taizōkai) mandala. Shingon tantric buddhist school, Heian period (794-1185), Tō-ji, Kyōto, Japan.
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1 S2E13 – Ananda K. Coomaraswamy, ‘The Christian and Oriental Philosophy of Art’ 24:32
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Image credit: 10th century Chola dynasty bronze sculpture of Shiva, the Lord of the Dance.
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1 S2E12 – Prof. Saul Newman on political theology 29:22
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Image credit: Detail from the frontispiece of Hobbes’ ‘Leviathan’ by Abraham Bosse,1651
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1 S2E11 – Max Stirner, ‘The Ego and Its Own’, Étienne de La Boétie, ‘Discourse on Voluntary Servitude’ 31:35
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Image credit: Max Stirner in a cartoon by Friedrich Engels (1820-1895)
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1 S2E10 – Dr. Francesco Strocchi on life in the late Roman republic 28:18
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Image credit: Roman coin celebrating the assassination of Julius Caesar, issued in 42 BC
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1 S2E9 – Rutilius Namatiuanus, ‘On His Return’, and Paulinus of Pella, ‘Thanksgiving’ 25:00
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Image credit: Porphyry column decorated with group of two embracing older Tetrarchs. Rome. 293-305.
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1 S2E8 – Lucia Pietroiusti on analogical thinking 43:40
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Image credits: Geometric nest of a pufferfish.
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Image credit: Ernst Jünger and Albert Hoffman.
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1 S2E6 – Prof. Giulio Busi on Jewish mysticism 27:17
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Image credit: Cosmic Rose Engraving from Amphitheatrum Sapientiae Aeternae by Heinrich Khunrath (1595).
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1 S2E5 – Giulio Busi, ‘Heavenly Palaces in Judaism’, and Abraham Joshua Heschel, ‘The Sabbath’ 23:41
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Image credit: Throne Angels
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1 S2E4 – Huw Lemmey and Isabel Valley on psychiatry and unknown languages 36:03
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Image credit: Antidotum tarantulae , a curative musical score from Athanasius Kircher (c. 1660).
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1 S2E3 – Álvar Núñez Cabeza de Vaca, ‘Shipwrecks’ 20:11
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Image credit: Francesco Guardi, Marina in Tempesta , circa 1765/70.
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1 S2E2 – Dr. Beatrice Bottomley on Ibn Arabi 25:04
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Image credit: Muhammad Ibn 'Ali Ibn Muhammad Ibn 'Arabi (D. 1240 Ad): Fusus Al-Hikam . Mamluk Egypt, dated 19 Dhu'l Hijja Ah 797/4 October 1395 AD.
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1 S2E1 – Pico della Mirandola, ‘Heptaplus’ 29:40
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Image credit: Portrait of Giovanni Pico della Mirandola, by Tobias Stimmer, 1589
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1 S1E18 – Francesco Fusaro on musical cosmologies 1:01:50
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Musicologist and producer Francesco Fusaro discusses world-building music across the centuries. Credit: Francesco Fusaro, Tafelmusik Var. I, 2021. Collage, 65x92. Courtesy of the artist.
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1 S1E17 – Arturo Campagna on children's literature 19:47
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6-years old Arturo Campagna discusses children’s literature and dispenses advice to writers for children. Image credits: Rain Wu, Arion , 2019. Stoneware clay and glazes, 9x11cm. Courtesy of the artist.
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1 S1E16 – Elemire Zolla, "Children's Awe" and Cristina Campo, "The Flute and the Rug" 19:35
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Federico Campagna presents the philosophical take on children’s world-view and culture in Elemire Zolla’s 1994 “Children’s Awe” and Cristina Campo’s 1971 “The Flute and the Rug”. Image credits: Ivan Bilibin, Stage-set design for Scene Two, Act Four of the opera the "Tale of the Lost City of Kitezh and the Maiden Fevronia" by Rimsky-Korsakov, 1929.…
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1 S1E15 – Fr. Paul Butler on radical theology 23:56
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Liberation theologian Father Paul Butler discusses the radical interpretations of the Christian message. Image credits: The oldest surviving depiction of Saint Francis, Benedictine abbey of Subiaco, painted between March 1228 and March 1229.
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1 S1E14 – Pavel Florenksy, "Reversed Perspective" 26:44
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Federico Campagna presents Russian theologian (and mathematician, engineer and philosopher) Pavel Florensky’s 1920 essay “Reversed Perspective” and his interpretation of the language of sacred forms. Image credits: Andrey Rublev, The Trinity or The Hospitality of Abraham , 1411-1427.
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1 S1E13 – Sarah Shin and Ben Vickers on otherworldly imagination 25:56
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Ignota publishers Sarah Shin and Ben Vickers discuss their ongoing cultural work on the “techniques of awakening”. Image credits: Hildegard von Bingen, God, Cosmos, and Humanity , 1165.
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1 S1E12 – Russel Hoban, "Riddley Walker" 17:36
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Federico Campagna presents Russel Hoban’s 1980 science-fiction masterpiece “Riddley Walker” and the problem of post-future life and culture. Image credits: Punch with the Judge and the Hangman , 1870. Litograph.
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1 S1E11 – Tom Cheetham on Henry Corbin and James Hillman 26:05
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American philosopher Tom Cheetham discusses the parallels between Henry Corbin and Jungian psychoanalyst James Hillman, looking in particular at the practice of “Creative Imagination”. Image credits: Elijah and Khidr praying together, XI century. Illuminated manuscript version of Stories of the Prophets .…
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1 S1E10 – Henry Corbin, "History of Islamic Philosophy" 26:19
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Federico Campagna presents Henry Corbin’s 1964 “History of Islamic Philosophy” and his esoteric interpretation of philosophy and of religion. Image credits: Sultan Mohammed, The Miraj of the Prophet , 1539-1543. Opaque watercolor and ink on paper.
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1 S1E9 – Bill Sherman on Frances Yates and Aby Warburg 26:52
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Bill Sherman, director of the Warburg Institute, discusses the work of Frances Yates and Aby Warburg’s library. Image credits: Aby Warburg, Der Bilderatlas Mnemosyne , 2020. Exhibition view. Courtesy of Silke Briel / HKW
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1 S1E8 – Frances Yates, "The Art of Memory" 21:50
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Federico Campagna looks at Frances Yates’ work on the philosophy of mnemotechnics in her 1966 book “The Art of Memory”. Image Credits: Giulio Camillo, Memory Theatre , 1510.
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1 S1E7 – Stefano Gualeni on how to philosophize with a digital hammer 27:09
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Stefano Gualeni presents his philosophical take on digital worlds and virtual subjectivity. Image Credits: ‘Here’, video game by Stefano Gualeni. 2018.
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1 S1E6 – Stefano Gualeni, "Virtual Worlds as Philosophical Tools" 23:14
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Federico Campagna looks at Stefano Gualeni’s books “Virtual Worlds as Philosophical Tools” (2015) and “Virtual Existentialism” (2020) and at the cosmogonic function of play. Image credits: The Royal Game of Ur, 2600BC-2400BC. Wood game-board. © The Trustees of the British Museum
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