Artwork

Konten disediakan oleh Josh Petok. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Josh Petok atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang dijelaskan di sini https://id.player.fm/legal.
Player FM - Aplikasi Podcast
Offline dengan aplikasi Player FM !

Episode 18: Patrick Woodard

31:46
 
Bagikan
 

Manage episode 191689780 series 1026366
Konten disediakan oleh Josh Petok. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Josh Petok atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang dijelaskan di sini https://id.player.fm/legal.

This episode is sponsored by Colorist Society International and Mixinglight.com.

On this episode of the Colorist Podcast, I talk with Patrick Woodard, Lead Colorist at Digital Film Tree.

Patrick is best known for his color work on episodic TV shows like NCIS: Los Angeles, UNreal, Weeds, and Everybody Hates Chris. He’s worked on programs that air on the major networks, like CBS, NBC, and FOX, as well as the pay networks HBO and Showtime. In addition to working in TV, he’s also completed spots for Oakley, DC Shoes, and Fox Racing.

Patrick built his foundation in photography, studying at the Brooks Institute of Photography. Combining this background with an internship at Digital Film Tree, set him in the direction of becoming a colorist. Moving up within the company gave him the opportunity to holistically understand the file-based workflow and the ways that it could be fast and flexible.

In this podcast, we talk about:

  • How his background in photography served him as a colorist
  • Challenges of working on a big budget TV shows
  • The effect of streaming networks like Netflix and Hulu on television colorists
  • Coloring for short form versus long form
  • Collaborating with DPs and showrunners via remote sessions
  • New technologies like 4K and HDR in television color
  • ACES and other color-managed workflows
  • Coloring for different TV networks

PatWoodard.com

Digital Film Tree

Twitter

Instagram

IMDB

This episode is sponsored by:

Colorist Society International

For more information on how you can become a member, visit, www.coloristsociety.com.

Mixinglight.com

Use the coupon code “josh15” for 15% off the first term of any Premium Color library subscription.

  continue reading

23 episode

Artwork

Episode 18: Patrick Woodard

Colorist Podcast

21 subscribers

published

iconBagikan
 
Manage episode 191689780 series 1026366
Konten disediakan oleh Josh Petok. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Josh Petok atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang dijelaskan di sini https://id.player.fm/legal.

This episode is sponsored by Colorist Society International and Mixinglight.com.

On this episode of the Colorist Podcast, I talk with Patrick Woodard, Lead Colorist at Digital Film Tree.

Patrick is best known for his color work on episodic TV shows like NCIS: Los Angeles, UNreal, Weeds, and Everybody Hates Chris. He’s worked on programs that air on the major networks, like CBS, NBC, and FOX, as well as the pay networks HBO and Showtime. In addition to working in TV, he’s also completed spots for Oakley, DC Shoes, and Fox Racing.

Patrick built his foundation in photography, studying at the Brooks Institute of Photography. Combining this background with an internship at Digital Film Tree, set him in the direction of becoming a colorist. Moving up within the company gave him the opportunity to holistically understand the file-based workflow and the ways that it could be fast and flexible.

In this podcast, we talk about:

  • How his background in photography served him as a colorist
  • Challenges of working on a big budget TV shows
  • The effect of streaming networks like Netflix and Hulu on television colorists
  • Coloring for short form versus long form
  • Collaborating with DPs and showrunners via remote sessions
  • New technologies like 4K and HDR in television color
  • ACES and other color-managed workflows
  • Coloring for different TV networks

PatWoodard.com

Digital Film Tree

Twitter

Instagram

IMDB

This episode is sponsored by:

Colorist Society International

For more information on how you can become a member, visit, www.coloristsociety.com.

Mixinglight.com

Use the coupon code “josh15” for 15% off the first term of any Premium Color library subscription.

  continue reading

23 episode

Semua episode

×
 
Loading …

Selamat datang di Player FM!

Player FM memindai web untuk mencari podcast berkualitas tinggi untuk Anda nikmati saat ini. Ini adalah aplikasi podcast terbaik dan bekerja untuk Android, iPhone, dan web. Daftar untuk menyinkronkan langganan di seluruh perangkat.

 

Panduan Referensi Cepat