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Cruella Cinematography (with Nicolas Karakatsanis) GCS271

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Manage episode 294524774 series 2311351
Konten disediakan oleh Ben Consoli. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Ben Consoli atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang dijelaskan di sini https://id.player.fm/legal.

Disney's film CRUELLA combines handheld, high energy cinematography with elegant traditional camera movement. Cinematographer Nicolas Karakatsanis explains his masterful cinematic approach.

Nicolas and Go Creative Show host, Ben Consoli, discuss working with Emma Stone and Emma Thompson, shooting both on film and digitally, having to pre-light sets before they were built, camera and lens package, and more!

Subscribe Now!

What you will learn in this episode
  • Lessons learned shooting I, TONYA (01:02)
  • High energy cinematography of CRUELLA (03:54)
  • Pre-lighting before sets are built (15:04)
  • Having to build the Baroness workshop set twice (20:30)
  • Cruella concert scene breakdown (24:29)
  • Cinematography differences between Cruella and Baroness (31:42)
  • Shooting on film vs digital (36:16)
  • Why Nicolas hates lens filtration (52:28)
  • Not being reliant on VFX (57:43)
  • Not being inspired by the 101 Dalmations animation (01:01:09)
  • Collaborating with costume design dept (01:02:29)
  • Working with Emma Stone and Emma Thompson (01:04:52)
  • And more!

Go Creative Show is supported by:

MZed - Education for Creatives Subscribe + Follow Go Creative Show Show Links Follow Our Guest Follow Ben Consoli Follow Dave Siegel (sound mixer)

Follow Connor Crosby (producer)

  continue reading

157 episode

Artwork
iconBagikan
 
Manage episode 294524774 series 2311351
Konten disediakan oleh Ben Consoli. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Ben Consoli atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang dijelaskan di sini https://id.player.fm/legal.

Disney's film CRUELLA combines handheld, high energy cinematography with elegant traditional camera movement. Cinematographer Nicolas Karakatsanis explains his masterful cinematic approach.

Nicolas and Go Creative Show host, Ben Consoli, discuss working with Emma Stone and Emma Thompson, shooting both on film and digitally, having to pre-light sets before they were built, camera and lens package, and more!

Subscribe Now!

What you will learn in this episode
  • Lessons learned shooting I, TONYA (01:02)
  • High energy cinematography of CRUELLA (03:54)
  • Pre-lighting before sets are built (15:04)
  • Having to build the Baroness workshop set twice (20:30)
  • Cruella concert scene breakdown (24:29)
  • Cinematography differences between Cruella and Baroness (31:42)
  • Shooting on film vs digital (36:16)
  • Why Nicolas hates lens filtration (52:28)
  • Not being reliant on VFX (57:43)
  • Not being inspired by the 101 Dalmations animation (01:01:09)
  • Collaborating with costume design dept (01:02:29)
  • Working with Emma Stone and Emma Thompson (01:04:52)
  • And more!

Go Creative Show is supported by:

MZed - Education for Creatives Subscribe + Follow Go Creative Show Show Links Follow Our Guest Follow Ben Consoli Follow Dave Siegel (sound mixer)

Follow Connor Crosby (producer)

  continue reading

157 episode

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