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Hit Parade: Rock ’n Soul, Part 1

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Manage episode 317603527 series 76
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Daryl Hall and John Oates: Their songs were earworms, their videos cheap and goofy. John Oates’s mustache and Daryl Hall’s mullet are relics of their time. And…for about five years, their crazy streak on the pop charts was comparable to Elvis, the Beatles and the Bee Gees.

They were also more cutting-edge than you may realize, essentially inventing their own form of cross-racial new wave after spending the ’70s trying everything: rock, R&B, folk, funk, even disco. At their Imperial peak in the early ’80s, Hall and Oates commanded the pop, soul and dance charts while still getting played on rock stations. And decades later, when the Rock & Roll Hall of Fame ignored them, it was Black artists—rappers and soul fans—who pushed them in.

Join Chris Molanphy for a dissection of the Philly duo who invented “rock ’n soul” and made their dreams come true.

Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info.

Podcast production by Asha Saluja.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

2362 episode

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Hit Parade: Rock ’n Soul, Part 1

Slate Culture

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Manage episode 317603527 series 76
Konten disediakan oleh Slate Podcasts. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Slate Podcasts atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang dijelaskan di sini https://id.player.fm/legal.

Daryl Hall and John Oates: Their songs were earworms, their videos cheap and goofy. John Oates’s mustache and Daryl Hall’s mullet are relics of their time. And…for about five years, their crazy streak on the pop charts was comparable to Elvis, the Beatles and the Bee Gees.

They were also more cutting-edge than you may realize, essentially inventing their own form of cross-racial new wave after spending the ’70s trying everything: rock, R&B, folk, funk, even disco. At their Imperial peak in the early ’80s, Hall and Oates commanded the pop, soul and dance charts while still getting played on rock stations. And decades later, when the Rock & Roll Hall of Fame ignored them, it was Black artists—rappers and soul fans—who pushed them in.

Join Chris Molanphy for a dissection of the Philly duo who invented “rock ’n soul” and made their dreams come true.

Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info.

Podcast production by Asha Saluja.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

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