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Konten disediakan oleh Steven Hobé, Composer & Host and Steven Hobé. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Steven Hobé, Composer & Host and Steven Hobé atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang dijelaskan di sini https://id.player.fm/legal.
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Who was "Elise" in Beethoven's Piano Piece, Für Elise?

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Manage episode 340916837 series 2924017
Konten disediakan oleh Steven Hobé, Composer & Host and Steven Hobé. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Steven Hobé, Composer & Host and Steven Hobé atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang dijelaskan di sini https://id.player.fm/legal.

Description
Nowadays, ‘Für Elise’ is undoubtedly one of Beethoven’s most famous works. It seems almost strange then that, at the time it was composed, the piece was relatively incidental. It certainly didn’t provoke much of a reaction and apparently, Beethoven himself was never fully satisfied with the work, returning to it some years later and trying, unsuccessfully in his eyes, to revise and refine it. Ultimately, ‘Für Elise’ wasn’t even published until 1865, nearly forty years after Beethoven’s death on 26 March 1827. Take a minute to get the scoop!
Listen to "Für Elise" Performed by Lang Lang
Fun Fact
Beethoven composed the piece on 27 April 1810. At this stage, Beethoven’s hearing was getting gradually weaker. The composer could apparently still hear some speech and music until 1812. But by the age of 44 (four years after he composed ‘Für Elise’), he was almost totally deaf and unable to hear voices. As he got progressively deafer, his pieces got higher and higher. This might account for the relatively high pitch of ‘Für Elise’, which reaches an E7 – two Es above a top soprano C.
About Steven, Host
Steven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.
You can FOLLOW ME on Instagram. 👋
On a personal note, please consider a coffee donation. 🤓☕️
It's thirsty work creating content for TCMM. Many sleepless nights spent crafting that perfect one-minute episode or editing my latest fab interview as a bonus episode for your listening pleasure. 🎙🤔📚 But a cup of coffee is always welcome to keep my creativity flowing. 🎼☕️✍🏽🙏
A Note To Music Students et al.
All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.
Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com

Support the show

  continue reading

166 episode

Artwork
iconBagikan
 
Manage episode 340916837 series 2924017
Konten disediakan oleh Steven Hobé, Composer & Host and Steven Hobé. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Steven Hobé, Composer & Host and Steven Hobé atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang dijelaskan di sini https://id.player.fm/legal.

Description
Nowadays, ‘Für Elise’ is undoubtedly one of Beethoven’s most famous works. It seems almost strange then that, at the time it was composed, the piece was relatively incidental. It certainly didn’t provoke much of a reaction and apparently, Beethoven himself was never fully satisfied with the work, returning to it some years later and trying, unsuccessfully in his eyes, to revise and refine it. Ultimately, ‘Für Elise’ wasn’t even published until 1865, nearly forty years after Beethoven’s death on 26 March 1827. Take a minute to get the scoop!
Listen to "Für Elise" Performed by Lang Lang
Fun Fact
Beethoven composed the piece on 27 April 1810. At this stage, Beethoven’s hearing was getting gradually weaker. The composer could apparently still hear some speech and music until 1812. But by the age of 44 (four years after he composed ‘Für Elise’), he was almost totally deaf and unable to hear voices. As he got progressively deafer, his pieces got higher and higher. This might account for the relatively high pitch of ‘Für Elise’, which reaches an E7 – two Es above a top soprano C.
About Steven, Host
Steven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.
You can FOLLOW ME on Instagram. 👋
On a personal note, please consider a coffee donation. 🤓☕️
It's thirsty work creating content for TCMM. Many sleepless nights spent crafting that perfect one-minute episode or editing my latest fab interview as a bonus episode for your listening pleasure. 🎙🤔📚 But a cup of coffee is always welcome to keep my creativity flowing. 🎼☕️✍🏽🙏
A Note To Music Students et al.
All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.
Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com

Support the show

  continue reading

166 episode

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