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Three-Months Forevers from ‘The Orphans’ by James Barbarossa

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Konten disediakan oleh John Bartmann. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh John Bartmann atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

The piece of music featured in this episode is called Three-Months Forevers. It’s a slow and steady post-rock influenced piece which I wrote for the sci-fi audio drama The Orphans, which follows a group of survivors who crash land on an alien planet. The soundtrack aims to convey a yearning feel as the characters feel the loss of one of their own. This week we’ll look at some of the insights into why and how it was made. My name is James Barbarossa. I'm a composer from England, and this is How I Make Music.

IN THIS EPISODE

01:37 The piece was influenced by the Dr Who theme. The bass and drums captured the emotion I was trying to convey. There’s a certain amount of ‘aping’ when it comes to imitating your influences.

03:42 I used a chimes patch as a leitmotif for the character Nora Evers. The chimes play whenever she is present, physically or otherwise.

05:01 In Batman Vs Superman, the Wonder Woman musical theme is a distorted electric cello. Strings are traditionally female instruments, especially in opera. But the power of this theme is the fact that it’s an electric cello.

05:55 I used Garage Band to compose this piece. Take a listen to the piece-by-piece breakdown of the rhythm section, the Nora Evers chimes, rising piano melody and the clean electric guitar leitmotif.

07:18 A major challenge in writing for audio drama is to avoid overwhelming the sound in the scene. Another challenge is knowing when it’s done! Art is never finished, only abandoned.

08:29 The electric piano, a jazzy instrument, is used to represent the unrefined nature of the human characters. The clean grand piano is colder, more cruel and represents the artificiality of the society in which they live.

SHOW NOTES

MUSIC CREDITS

  • Murray Gold - Doomsday (from Dr Who)
  • Hans Zimmer & Tom Holkenborg a.k.a JUNKIE XL - Is She With You? (Wonder Woman Theme)

ABOUT THIS SHOW

How I Make Music is where behind-the-scenes musicians get to tell their own stories. Every Wednesday, we break apart a song, soundtrack or composition and investigate the insights into how it was made.

How I Make Music is created by John Bartmann https://johnbartmann.com

Support the show

  continue reading

54 episode

Artwork
iconBagikan
 
Manage episode 268949996 series 2503418
Konten disediakan oleh John Bartmann. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh John Bartmann atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

The piece of music featured in this episode is called Three-Months Forevers. It’s a slow and steady post-rock influenced piece which I wrote for the sci-fi audio drama The Orphans, which follows a group of survivors who crash land on an alien planet. The soundtrack aims to convey a yearning feel as the characters feel the loss of one of their own. This week we’ll look at some of the insights into why and how it was made. My name is James Barbarossa. I'm a composer from England, and this is How I Make Music.

IN THIS EPISODE

01:37 The piece was influenced by the Dr Who theme. The bass and drums captured the emotion I was trying to convey. There’s a certain amount of ‘aping’ when it comes to imitating your influences.

03:42 I used a chimes patch as a leitmotif for the character Nora Evers. The chimes play whenever she is present, physically or otherwise.

05:01 In Batman Vs Superman, the Wonder Woman musical theme is a distorted electric cello. Strings are traditionally female instruments, especially in opera. But the power of this theme is the fact that it’s an electric cello.

05:55 I used Garage Band to compose this piece. Take a listen to the piece-by-piece breakdown of the rhythm section, the Nora Evers chimes, rising piano melody and the clean electric guitar leitmotif.

07:18 A major challenge in writing for audio drama is to avoid overwhelming the sound in the scene. Another challenge is knowing when it’s done! Art is never finished, only abandoned.

08:29 The electric piano, a jazzy instrument, is used to represent the unrefined nature of the human characters. The clean grand piano is colder, more cruel and represents the artificiality of the society in which they live.

SHOW NOTES

MUSIC CREDITS

  • Murray Gold - Doomsday (from Dr Who)
  • Hans Zimmer & Tom Holkenborg a.k.a JUNKIE XL - Is She With You? (Wonder Woman Theme)

ABOUT THIS SHOW

How I Make Music is where behind-the-scenes musicians get to tell their own stories. Every Wednesday, we break apart a song, soundtrack or composition and investigate the insights into how it was made.

How I Make Music is created by John Bartmann https://johnbartmann.com

Support the show

  continue reading

54 episode

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