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Konten disediakan oleh Hans-Thies Lehmann - The position of the spectator in theatre today (Vloga gledalca v gledališču danes). Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Hans-Thies Lehmann - The position of the spectator in theatre today (Vloga gledalca v gledališču danes) atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
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Hans-Thies Lehmann - The position of the spectator in theatre today (Vloga gledalca v gledališču danes)

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Konten disediakan oleh Hans-Thies Lehmann - The position of the spectator in theatre today (Vloga gledalca v gledališču danes). Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Hans-Thies Lehmann - The position of the spectator in theatre today (Vloga gledalca v gledališču danes) atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
HANS THIES LEHMANN - The position of the spectator in theatre today The spectator has become the central focus of reflection on performance and theatre since the theoretical/practical shift to the problem of what is the experience of an artistic (or artistically-motivated) gesture. This shift brings into focus the fundamental questions of spectating as an activity. This lecture will focus on several examples of different spectating as an activity. This lecture will focus on several examples of different spectating positions, and will in particular concentrate on a re-reading of the ancient concept of Anagnorisis, in the light of the debate around the polemics against »theatralicality«, which in a different understanding has become accepted as a positive qualification of performance art practice. HANS THIES LEHMANN is Professor of Theatre Studies at Johan Wolfgang Goethe-Universität, Frankfurt on Main, Germany and directs Master Program in Dramaturgy there. His numerous publications include: Theater und Mythos, Essays zu Theatertexten ... His seminal work Postdramatisches Theater has been translated into many languages, and he has also been widely publication on literary theory, contemporary theatre aestetics, and film.
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Seri yang sudah diarsipkan ("Feed tidak aktif" status)

When? This feed was archived on July 24, 2022 22:17 (2y ago). Last successful fetch was on October 23, 2018 17:27 (5+ y ago)

Why? Feed tidak aktif status. Server kami tidak mendapatkan feed podcast yang valid secara terus-menerus.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 1006998
Konten disediakan oleh Hans-Thies Lehmann - The position of the spectator in theatre today (Vloga gledalca v gledališču danes). Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Hans-Thies Lehmann - The position of the spectator in theatre today (Vloga gledalca v gledališču danes) atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
HANS THIES LEHMANN - The position of the spectator in theatre today The spectator has become the central focus of reflection on performance and theatre since the theoretical/practical shift to the problem of what is the experience of an artistic (or artistically-motivated) gesture. This shift brings into focus the fundamental questions of spectating as an activity. This lecture will focus on several examples of different spectating as an activity. This lecture will focus on several examples of different spectating positions, and will in particular concentrate on a re-reading of the ancient concept of Anagnorisis, in the light of the debate around the polemics against »theatralicality«, which in a different understanding has become accepted as a positive qualification of performance art practice. HANS THIES LEHMANN is Professor of Theatre Studies at Johan Wolfgang Goethe-Universität, Frankfurt on Main, Germany and directs Master Program in Dramaturgy there. His numerous publications include: Theater und Mythos, Essays zu Theatertexten ... His seminal work Postdramatisches Theater has been translated into many languages, and he has also been widely publication on literary theory, contemporary theatre aestetics, and film.
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