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Lee Holdridge - ASMAC Luncheon November 2008

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Konten disediakan oleh ASMAC. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh ASMAC atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
Lee Holdridge was our guest speaker at the ASMAC luncheon on Wednesday, November 19, 2008. Lee spent his early years in Costa Rica, beginning music studies on the violin at the age of ten with Hugo Mariani, then the conductor of the National Symphony Orchestra of Costa Rica. At fifteen - now determined to be a composer - he moved to Boston to finish high school and study composition with Henry Lasker. Later, he moved to New York to continue his music studies and begin his professional career as a composer. While in New York, he wrote chamber works, rock pieces, songs, theatre music and background scores for short films. Holdridge’s successes in New York came to the attention of Neil Diamond who brought him to Los Angeles to write arrangements for Diamond’s forthcoming albums. A string of gold and platinum hits followed, which led to Diamond and Holdridge collaborating on the film score for “Jonathan Livingston Seagull.” To learn more about this ASMAC luncheon, please visit: http://www.asmac.org/lee-holdridge-luncheon-november-19-2008/
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68 episode

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Manage episode 153106831 series 1081568
Konten disediakan oleh ASMAC. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh ASMAC atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
Lee Holdridge was our guest speaker at the ASMAC luncheon on Wednesday, November 19, 2008. Lee spent his early years in Costa Rica, beginning music studies on the violin at the age of ten with Hugo Mariani, then the conductor of the National Symphony Orchestra of Costa Rica. At fifteen - now determined to be a composer - he moved to Boston to finish high school and study composition with Henry Lasker. Later, he moved to New York to continue his music studies and begin his professional career as a composer. While in New York, he wrote chamber works, rock pieces, songs, theatre music and background scores for short films. Holdridge’s successes in New York came to the attention of Neil Diamond who brought him to Los Angeles to write arrangements for Diamond’s forthcoming albums. A string of gold and platinum hits followed, which led to Diamond and Holdridge collaborating on the film score for “Jonathan Livingston Seagull.” To learn more about this ASMAC luncheon, please visit: http://www.asmac.org/lee-holdridge-luncheon-november-19-2008/
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68 episode

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