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/412/ No Future But Future Music ft. Simon Reynolds

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Konten disediakan oleh Bungacast. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Bungacast atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
On Futuromania and closing and opening of musical horizons. We talk to renowned music critic Simon Reynolds about his new book. A counterpart of sorts to his famous Retromania (2011), Futuromania looks at the exciting futuristic music of the past and present. We discuss its themes to try understand whether the culture is still about to throw up something new.
  • Is talk about popular music stuck between the poles of “rockism” and “poptimism”?

  • How did Donna Summer and Giorgio Moroder invent "electronic dance music"?

  • Why is "future music" good? What are its pitfalls?

  • How did Daft Punk run out of futurity?

  • Why is Auto-Tune actually not the worst invention?

  • How are genres like trap technically exciting but thematically glum?

  • Is there any way of bringing the future back?

Links:
  continue reading

400 episode

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Manage episode 420651679 series 2933145
Konten disediakan oleh Bungacast. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Bungacast atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
On Futuromania and closing and opening of musical horizons. We talk to renowned music critic Simon Reynolds about his new book. A counterpart of sorts to his famous Retromania (2011), Futuromania looks at the exciting futuristic music of the past and present. We discuss its themes to try understand whether the culture is still about to throw up something new.
  • Is talk about popular music stuck between the poles of “rockism” and “poptimism”?

  • How did Donna Summer and Giorgio Moroder invent "electronic dance music"?

  • Why is "future music" good? What are its pitfalls?

  • How did Daft Punk run out of futurity?

  • Why is Auto-Tune actually not the worst invention?

  • How are genres like trap technically exciting but thematically glum?

  • Is there any way of bringing the future back?

Links:
  continue reading

400 episode

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