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Episode 84: Hear the Dance: Kammermusik No. 2

33:33
 
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Manage episode 360288698 series 2861103
Konten disediakan oleh New York City Ballet. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh New York City Ballet atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Host Jared Angle returns for this season’s first Hear the Dance episode, focusing on 1978’s Kammermusik No. 2. Jared is joined by Soloist Daniel Applebaum and Corps de Ballet Member Lars Nelson to discuss the only Balanchine work with an all-male corps and the communal feeling they share when performing this challenging ballet. They describe the ways in which certain hieroglyphic moments give them the sense of being a vessel for a larger, “inhuman" architecture in what originating dancers referred to as Mr. B’s "Star Wars” ballet, premiering a year after the sci-fi classic. (33:32)

Edited by Emilie Silvestri

Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Kammermusik No. 2 (1924) by Paul Hindemith All music performed by the New York City Ballet Orchestra

  continue reading

101 episode

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iconBagikan
 
Manage episode 360288698 series 2861103
Konten disediakan oleh New York City Ballet. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh New York City Ballet atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Host Jared Angle returns for this season’s first Hear the Dance episode, focusing on 1978’s Kammermusik No. 2. Jared is joined by Soloist Daniel Applebaum and Corps de Ballet Member Lars Nelson to discuss the only Balanchine work with an all-male corps and the communal feeling they share when performing this challenging ballet. They describe the ways in which certain hieroglyphic moments give them the sense of being a vessel for a larger, “inhuman" architecture in what originating dancers referred to as Mr. B’s "Star Wars” ballet, premiering a year after the sci-fi classic. (33:32)

Edited by Emilie Silvestri

Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Kammermusik No. 2 (1924) by Paul Hindemith All music performed by the New York City Ballet Orchestra

  continue reading

101 episode

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