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Konten disediakan oleh Daniel Vezza. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Daniel Vezza atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
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podcast 22-Sam Pluta

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Manage episode 195964535 series 1942586
Konten disediakan oleh Daniel Vezza. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Daniel Vezza atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Sam is a New York based composer and improviser. He is Technical Director and electronics performer for the Wet Ink Ensemble, and has been commissioned and premiered by Mivos Quartet, Yarn/Wire, ICE, Timetable Percussion, RIOT Trio, and So Percussion. You can hear more of his music at www.sampluta.com.

In our conversation we talk about his transition from computer science to electronic music, the time he spent working and studying in the UK, and the inherent aesthetic preferences of computer music programs.

  continue reading

67 episode

Artwork
iconBagikan
 
Manage episode 195964535 series 1942586
Konten disediakan oleh Daniel Vezza. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Daniel Vezza atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Sam is a New York based composer and improviser. He is Technical Director and electronics performer for the Wet Ink Ensemble, and has been commissioned and premiered by Mivos Quartet, Yarn/Wire, ICE, Timetable Percussion, RIOT Trio, and So Percussion. You can hear more of his music at www.sampluta.com.

In our conversation we talk about his transition from computer science to electronic music, the time he spent working and studying in the UK, and the inherent aesthetic preferences of computer music programs.

  continue reading

67 episode

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