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Konten disediakan oleh Daniel Vezza. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Daniel Vezza atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
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podcast 41-Maximilian Marcoll

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Konten disediakan oleh Daniel Vezza. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Daniel Vezza atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Maximilian is a composer from Germany who is currently based in Berlin. He studied percussion, instrumental and electronic composition in Lübeck and Essen, Germany. In his series Compounds he focusses on the transcription of concrete sounds, mostly recorded in everyday life situations. He is also part of the new music collective Stock 11. You can listen to more of his work at www.marcoll.de.

In our conversation we talk about the inherent hierarchy when working with large ensembles, his unique way of working and gather field recordings, and an interesting experience he had while creating a politically charged sound installation. The piece played during this interview is titled “Compound No.4?.

  continue reading

67 episode

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iconBagikan
 
Manage episode 195964554 series 1942586
Konten disediakan oleh Daniel Vezza. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Daniel Vezza atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Maximilian is a composer from Germany who is currently based in Berlin. He studied percussion, instrumental and electronic composition in Lübeck and Essen, Germany. In his series Compounds he focusses on the transcription of concrete sounds, mostly recorded in everyday life situations. He is also part of the new music collective Stock 11. You can listen to more of his work at www.marcoll.de.

In our conversation we talk about the inherent hierarchy when working with large ensembles, his unique way of working and gather field recordings, and an interesting experience he had while creating a politically charged sound installation. The piece played during this interview is titled “Compound No.4?.

  continue reading

67 episode

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