Cinema And Everyday Resistance | No Master Territories HKW podcast

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Cinema and Everyday Resistance | No Master Territories

2y ago 1:02:19

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Konten disediakan oleh HKW and Haus der Kulturen der Welt. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh HKW and Haus der Kulturen der Welt atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila Peleg. In her 1982 film “Reassemblage,” Trinh T. Minh-ha influentially reformulated the terms of the ethnographic encounter: she would not “speak about,” but “speak nearby.” In this conversation with artist-filmmaker Laura Huertas Millán, the two discuss this concept and others pertaining to both their practices. More about the exhibition: www.hkw.de/en/NoMaster Sound excerpts from Trinh T. Minh-ha, What About China? (2022), copyright Moongift Films

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56 episode

#Society #HKW #Haus Der Kulturen Der Welt

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Cinema and Everyday Resistance | No Master Territories

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published 2y ago

Bagikan

MP3•Beranda episode

Konten disediakan oleh HKW and Haus der Kulturen der Welt. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh HKW and Haus der Kulturen der Welt atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila Peleg. In her 1982 film “Reassemblage,” Trinh T. Minh-ha influentially reformulated the terms of the ethnographic encounter: she would not “speak about,” but “speak nearby.” In this conversation with artist-filmmaker Laura Huertas Millán, the two discuss this concept and others pertaining to both their practices. More about the exhibition: www.hkw.de/en/NoMaster Sound excerpts from Trinh T. Minh-ha, What About China? (2022), copyright Moongift Films

… continue reading

56 episode

#Society #HKW #Haus Der Kulturen Der Welt

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