“It Looks like How Jazz Sounds”: Jordan Horton on Romare Bearden's “The Dove”

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The Research and Academic Program at the Clark Art Institute presents In the Foreground: Object Studies: short meditations that introduce you to a single work of art seen through the eyes of an art historian.
Jordan Horton (Williams College) explores how Romare Bearden’s collage The Dove (1964) plays with fragmented forms to visually evoke the “broken time” of jazz while also embodying how Black people living in Harlem in the 1960s might have experienced the urban spaces they knew as home.

29 episode