“The Erosion of History”: Samantha Page on Hung Liu’s “Migrant Mother”

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The Research and Academic Program at the Clark Art Institute presents In the Foreground: Object Studies: short meditations that introduce you to a single work of art seen through the eyes of an art historian.
Samantha Page (Clark Art Institute) explores how Hung Liu’s painting Migrant Mother (2015) reimagines Dorothea Lange’s iconic Depression-era photograph; here the materiality of paint draws attention to layers of mediation and imbues the image’s subjects with renewed agency.

29 episode