In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Konten disediakan oleh IFH Filmmaking & Screenwriting Podcast Network, Alex Ferrari | Filmmaker, Visual Effects, DP, Film Distribution, and Film Business. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh IFH Filmmaking & Screenwriting Podcast Network, Alex Ferrari | Filmmaker, Visual Effects, DP, Film Distribution, and Film Business atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang dijelaskan di sini https://id.player.fm/legal.
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IFH 654: The Neuroscience Behind Profitable Screenwriting & Filmmaking with Paul Gulino
MP3•Beranda episode
Manage episode 353579631 series 2557610
Konten disediakan oleh IFH Filmmaking & Screenwriting Podcast Network, Alex Ferrari | Filmmaker, Visual Effects, DP, Film Distribution, and Film Business. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh IFH Filmmaking & Screenwriting Podcast Network, Alex Ferrari | Filmmaker, Visual Effects, DP, Film Distribution, and Film Business atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang dijelaskan di sini https://id.player.fm/legal.
Today's guest is screenwriter Paul Gulino. Paul is the author of https://amzn.to/3wqlhII.Paul believes in Hitchcock's adage that "films are made on paper." Although students may obsess about a film's look, all of the visual elements, he says, function to enhance the story. And that, ultimately, comes from the mind of the screenwriter. In spite of the fact that there seems to be a screenwriter behind every corner (in California, at least), screenwriting is something of a lost art, Gulino maintains, having seen hundreds of flat screenplays as a story analyst for Showtime Entertainment.Honing his own skills through writing for the theater and practicing the craft as taught by Frank Daniel and Milos Forman, Gulino secured an agent with William Morris on the basis of his thesis script. With that "real world" confirmation in hand, Gulino went on to write and see produced features, plays and comedy sketches.Screenwriting, he says, isn't a craft you can learn from a book."The best way is to learn from someone who knows the craft, so you can see how theories can be applied to your own work."There must be something to that. Or at least it's worked for screenwriter Paul Gulino. Enjoy my conversation with Paul Gulino.
…
continue reading
1998 episode
MP3•Beranda episode
Manage episode 353579631 series 2557610
Konten disediakan oleh IFH Filmmaking & Screenwriting Podcast Network, Alex Ferrari | Filmmaker, Visual Effects, DP, Film Distribution, and Film Business. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh IFH Filmmaking & Screenwriting Podcast Network, Alex Ferrari | Filmmaker, Visual Effects, DP, Film Distribution, and Film Business atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang dijelaskan di sini https://id.player.fm/legal.
Today's guest is screenwriter Paul Gulino. Paul is the author of https://amzn.to/3wqlhII.Paul believes in Hitchcock's adage that "films are made on paper." Although students may obsess about a film's look, all of the visual elements, he says, function to enhance the story. And that, ultimately, comes from the mind of the screenwriter. In spite of the fact that there seems to be a screenwriter behind every corner (in California, at least), screenwriting is something of a lost art, Gulino maintains, having seen hundreds of flat screenplays as a story analyst for Showtime Entertainment.Honing his own skills through writing for the theater and practicing the craft as taught by Frank Daniel and Milos Forman, Gulino secured an agent with William Morris on the basis of his thesis script. With that "real world" confirmation in hand, Gulino went on to write and see produced features, plays and comedy sketches.Screenwriting, he says, isn't a craft you can learn from a book."The best way is to learn from someone who knows the craft, so you can see how theories can be applied to your own work."There must be something to that. Or at least it's worked for screenwriter Paul Gulino. Enjoy my conversation with Paul Gulino.
…
continue reading
1998 episode
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