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Crefovi's daily updates: Is music copyright law forcing artists to hand songwriting credits out?

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Konten disediakan oleh Crefovi. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Crefovi atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Crefovi's daily updates: In the old days, musicians only had to clear the use of samples that they had taken out of other songs, created and released by other songwriters, composers and performers. However, since the ‟Blurred lines” case, musicians, their labels and publishers should potentially also obtain licences from the rightowners of any other song already in the public domain, which has a similar feel, vibe – a ‟sound alike”-, preferably before, but otherwise after, the new song is released. In this uncertain musical environment, in which even the most simple of musical compositions could be deemed to be protected by copyright, by a court jury and/or a judge, how do musical artists and their advisers deal with copyright infringement claims (actual or possible), to preserve the performer’s reputation and commercial success of their musical output? Is the strategy of handing out songwriting credits the best, in this environment? #creativeindustries #music #musiclaw #musiccopyright #copyright #musicecosystem #blurredlines #bittersweetsymphony #oliviarodrigo #Crefovidailyupdates #crefovidailyupdate #creativity

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119 episode

Artwork
iconBagikan
 
Manage episode 306416206 series 2420117
Konten disediakan oleh Crefovi. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Crefovi atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Crefovi's daily updates: In the old days, musicians only had to clear the use of samples that they had taken out of other songs, created and released by other songwriters, composers and performers. However, since the ‟Blurred lines” case, musicians, their labels and publishers should potentially also obtain licences from the rightowners of any other song already in the public domain, which has a similar feel, vibe – a ‟sound alike”-, preferably before, but otherwise after, the new song is released. In this uncertain musical environment, in which even the most simple of musical compositions could be deemed to be protected by copyright, by a court jury and/or a judge, how do musical artists and their advisers deal with copyright infringement claims (actual or possible), to preserve the performer’s reputation and commercial success of their musical output? Is the strategy of handing out songwriting credits the best, in this environment? #creativeindustries #music #musiclaw #musiccopyright #copyright #musicecosystem #blurredlines #bittersweetsymphony #oliviarodrigo #Crefovidailyupdates #crefovidailyupdate #creativity

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

119 episode

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