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Spine 592: Design for Living

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Konten disediakan oleh Lost in Criterion. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Lost in Criterion atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Noel Coward's Design for Living premiered in Cleveland, Ohio -- apparently the world's bastion of progressive and transgressive theater at the time -- on January 2, 1933. By the end of the month it would be on Broadway, by the end of the year Ernst Lubitsch and Ben Hecht would adapt it into the sexiest film of 1933. Meanwhile, Coward wouldn't stage the play in his native England for nearly another decade. Why? Well, one there's the scandal of even portraying a polyamorous relationship, but then Coward's play, like Truffaut's Jules et Jim (1962), portrays polyamory only to show it not working. That's one of the major changes in Lubitsch's version, and the film is all the more scandalous for it: here the relationship is rocky but in the end works out, maybe. No wonder the Production Code Administration hated it.

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604 episode

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Manage episode 412176025 series 1113290
Konten disediakan oleh Lost in Criterion. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Lost in Criterion atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Noel Coward's Design for Living premiered in Cleveland, Ohio -- apparently the world's bastion of progressive and transgressive theater at the time -- on January 2, 1933. By the end of the month it would be on Broadway, by the end of the year Ernst Lubitsch and Ben Hecht would adapt it into the sexiest film of 1933. Meanwhile, Coward wouldn't stage the play in his native England for nearly another decade. Why? Well, one there's the scandal of even portraying a polyamorous relationship, but then Coward's play, like Truffaut's Jules et Jim (1962), portrays polyamory only to show it not working. That's one of the major changes in Lubitsch's version, and the film is all the more scandalous for it: here the relationship is rocky but in the end works out, maybe. No wonder the Production Code Administration hated it.

  continue reading

604 episode

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