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Kristina Kolbe, "The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music" (Manchester UP, 2024)

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What is the future of classical music? In The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music (Manchester UP, 2024), Kristina Kolbe, an assistant professor of Sociology of Arts and Culture in the School of History, Culture and Communication at the Erasmus University Rotterdam, explores how the genre is seeking to become more diverse. In doing so, it reveals the challenges associated with changing audiences, performers and performances. Using a detailed case study, the book examines why classical music faces the need to change in the context of diversity discourses in both the music and the more general creative industries.

Offering a nuanced but critical perspective, the analysis outlines how diversity has had a limited impact on both case study opera house and the industry more generally. The critical perspective sets out how diversity can be easily commodified, how it depends on precarious workers, and how the pandemic of 2020 demonstrated just how much more work needs to be done. Offering rich empirical data as well as theoretical depth, the book is essential reading across the humanities and the social sciences, as well as for anyone interested in music.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

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974 episode

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Manage episode 443652183 series 2421475
Konten disediakan oleh Marshall Poe. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Marshall Poe atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

What is the future of classical music? In The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music (Manchester UP, 2024), Kristina Kolbe, an assistant professor of Sociology of Arts and Culture in the School of History, Culture and Communication at the Erasmus University Rotterdam, explores how the genre is seeking to become more diverse. In doing so, it reveals the challenges associated with changing audiences, performers and performances. Using a detailed case study, the book examines why classical music faces the need to change in the context of diversity discourses in both the music and the more general creative industries.

Offering a nuanced but critical perspective, the analysis outlines how diversity has had a limited impact on both case study opera house and the industry more generally. The critical perspective sets out how diversity can be easily commodified, how it depends on precarious workers, and how the pandemic of 2020 demonstrated just how much more work needs to be done. Offering rich empirical data as well as theoretical depth, the book is essential reading across the humanities and the social sciences, as well as for anyone interested in music.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

  continue reading

974 episode

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