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Konten disediakan oleh NJJOHNSON and Nicholas J. Johnson. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh NJJOHNSON and Nicholas J. Johnson atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
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59: The Music Man with Em Chandler
MP3•Beranda episode
Manage episode 358601101 series 1425308
Konten disediakan oleh NJJOHNSON and Nicholas J. Johnson. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh NJJOHNSON and Nicholas J. Johnson atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
There is a popular image of a con artist that doesn’t exist in the real world.
It’s an image of well-dressed, suave, fast-talking swindlers who—despite their dodgy dealings—always does the right thing in the end.
After all, they have a code.
Johnny Hooker and Henry Gondorf in The Sting.
Danny Ocean and his gang in the Ocean’s film.
The casts of shows like Hustle, Leverage and white collar.
But before all of them was Professor Harold Hill, the title character of the Meredith Wilson musical, The Music Man.
The story of a small-time con man’s attempts to convince the people of river city Iowa to invest in his non-existence boy’s band has been a staple of theatre, movies, and TV since it premiered in 1957.
In 2022, the musical broken box office records when Hugh Jackman starred in a revival. It's also the inspiration for the monorail episode of The Simpsons.
On this episode of Scamapalooza, I talk to theatre maker Em Chandler about why Harold Hill has endured and what about musical theatre makes it the perfect medium for telling a swindler's story.
MY SITE: www.conman.com.au
EM's TWITTER: www.twitter.com/polyponder
It’s an image of well-dressed, suave, fast-talking swindlers who—despite their dodgy dealings—always does the right thing in the end.
After all, they have a code.
Johnny Hooker and Henry Gondorf in The Sting.
Danny Ocean and his gang in the Ocean’s film.
The casts of shows like Hustle, Leverage and white collar.
But before all of them was Professor Harold Hill, the title character of the Meredith Wilson musical, The Music Man.
The story of a small-time con man’s attempts to convince the people of river city Iowa to invest in his non-existence boy’s band has been a staple of theatre, movies, and TV since it premiered in 1957.
In 2022, the musical broken box office records when Hugh Jackman starred in a revival. It's also the inspiration for the monorail episode of The Simpsons.
On this episode of Scamapalooza, I talk to theatre maker Em Chandler about why Harold Hill has endured and what about musical theatre makes it the perfect medium for telling a swindler's story.
MY SITE: www.conman.com.au
EM's TWITTER: www.twitter.com/polyponder
70 episode
MP3•Beranda episode
Manage episode 358601101 series 1425308
Konten disediakan oleh NJJOHNSON and Nicholas J. Johnson. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh NJJOHNSON and Nicholas J. Johnson atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
There is a popular image of a con artist that doesn’t exist in the real world.
It’s an image of well-dressed, suave, fast-talking swindlers who—despite their dodgy dealings—always does the right thing in the end.
After all, they have a code.
Johnny Hooker and Henry Gondorf in The Sting.
Danny Ocean and his gang in the Ocean’s film.
The casts of shows like Hustle, Leverage and white collar.
But before all of them was Professor Harold Hill, the title character of the Meredith Wilson musical, The Music Man.
The story of a small-time con man’s attempts to convince the people of river city Iowa to invest in his non-existence boy’s band has been a staple of theatre, movies, and TV since it premiered in 1957.
In 2022, the musical broken box office records when Hugh Jackman starred in a revival. It's also the inspiration for the monorail episode of The Simpsons.
On this episode of Scamapalooza, I talk to theatre maker Em Chandler about why Harold Hill has endured and what about musical theatre makes it the perfect medium for telling a swindler's story.
MY SITE: www.conman.com.au
EM's TWITTER: www.twitter.com/polyponder
It’s an image of well-dressed, suave, fast-talking swindlers who—despite their dodgy dealings—always does the right thing in the end.
After all, they have a code.
Johnny Hooker and Henry Gondorf in The Sting.
Danny Ocean and his gang in the Ocean’s film.
The casts of shows like Hustle, Leverage and white collar.
But before all of them was Professor Harold Hill, the title character of the Meredith Wilson musical, The Music Man.
The story of a small-time con man’s attempts to convince the people of river city Iowa to invest in his non-existence boy’s band has been a staple of theatre, movies, and TV since it premiered in 1957.
In 2022, the musical broken box office records when Hugh Jackman starred in a revival. It's also the inspiration for the monorail episode of The Simpsons.
On this episode of Scamapalooza, I talk to theatre maker Em Chandler about why Harold Hill has endured and what about musical theatre makes it the perfect medium for telling a swindler's story.
MY SITE: www.conman.com.au
EM's TWITTER: www.twitter.com/polyponder
70 episode
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