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Ep. 70: How to Breathe New Life Into a Classic Genre
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Manage episode 209429938 series 1758802
This week on TIFF Long Take, Rob sits down with Indonesian filmmaker Mouly Surya whose latest film, ‘Marlina: The Murderer in Four Acts’, was released earlier this year to great acclaim. The movie, which follows a Sumba woman taking revenge against the the men who have wronged her, is the director’s Indonesian spin on the Spaghetti Western genre.
Surya discusses why Indonesia, the fourth largest country in the world, has such a small national cinema, her earliest inspirations as a filmmaker, and why her apathy towards the Western genre actually worked in her favour when making her latest film.
She also discusses the film’s imaginative score, how getting international financing has changed her approach to filmmaking, and how growing up in an especially patriarchal society has impacted her career.
102 episode
Seri yang sudah diarsipkan ("Feed tidak aktif" status)
When? This feed was archived on October 06, 2024 10:08 (). Last successful fetch was on February 26, 2024 19:54 ()
Why? Feed tidak aktif status. Server kami tidak mendapatkan feed podcast yang valid secara terus-menerus.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 209429938 series 1758802
This week on TIFF Long Take, Rob sits down with Indonesian filmmaker Mouly Surya whose latest film, ‘Marlina: The Murderer in Four Acts’, was released earlier this year to great acclaim. The movie, which follows a Sumba woman taking revenge against the the men who have wronged her, is the director’s Indonesian spin on the Spaghetti Western genre.
Surya discusses why Indonesia, the fourth largest country in the world, has such a small national cinema, her earliest inspirations as a filmmaker, and why her apathy towards the Western genre actually worked in her favour when making her latest film.
She also discusses the film’s imaginative score, how getting international financing has changed her approach to filmmaking, and how growing up in an especially patriarchal society has impacted her career.
102 episode
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