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In this episode of WAS MIT KUNST, Johann König sits down with Spanish artist Paco Pomet to delve into the surreal, grotesque, and satirical worlds of his oil paintings. Following the opening of his solo exhibition, BRAND NEW PRISTINE TURMOILS at KÖNIG BERGSON, Pomet unpacks his unique approach to art, from his fascination with black-and-white photography and old film noir to his technique of distorting reality to evoke both humor and unease.
Pomet reflects on how his childhood vision struggles shaped his obsession with the "art of looking" and discusses the challenge of painting from memory. He reveals how his works disrupt the supposed truth of images, turning historical photos into sites of surreal critique and commentary. Together, König and Pomet explore themes of duality – joy and sadness, order and chaos – and how art has the power to shake perceptions and confront history.
Listen in to hear why Pomet believes art should "put the finger in the eye of the viewer" and how he uses painting to create a dialogue about the complexities of our visual culture.
109 episode
In this episode of WAS MIT KUNST, Johann König sits down with Spanish artist Paco Pomet to delve into the surreal, grotesque, and satirical worlds of his oil paintings. Following the opening of his solo exhibition, BRAND NEW PRISTINE TURMOILS at KÖNIG BERGSON, Pomet unpacks his unique approach to art, from his fascination with black-and-white photography and old film noir to his technique of distorting reality to evoke both humor and unease.
Pomet reflects on how his childhood vision struggles shaped his obsession with the "art of looking" and discusses the challenge of painting from memory. He reveals how his works disrupt the supposed truth of images, turning historical photos into sites of surreal critique and commentary. Together, König and Pomet explore themes of duality – joy and sadness, order and chaos – and how art has the power to shake perceptions and confront history.
Listen in to hear why Pomet believes art should "put the finger in the eye of the viewer" and how he uses painting to create a dialogue about the complexities of our visual culture.
109 episode
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