Artwork

Konten disediakan oleh studyingthesong. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh studyingthesong atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
Player FM - Aplikasi Podcast
Offline dengan aplikasi Player FM !

Developing Character through Movement/Choreography with Roger Ellis

54:30
 
Bagikan
 

Manage episode 402959574 series 2873472
Konten disediakan oleh studyingthesong. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh studyingthesong atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Have you ever wondered how much movement is too much movement in an audition?

Have you struggled to find movement that feels authentic to you?

In this episode, Roger Ellis (@rogerellis), head of movement in the MFA Acting Program at Northwestern University, shares how he develops character, creates choreography, and develops a directorial vision through the lens of movement.

He pulls back the curtain on his creative process and reveals the specific tactics he uses to devise choreography, dig deeper into a show’s themes, and how to bring out each actor’s truest self.

Roger Ellis (they/he) is a movement director and filmmaker investigating the mixed reality of Black-queer-aspec experience. Roger is the original director of Nikki Lynette’s Get Out Alive (Steppenwolf, film adaptation, National Alliance for Musical Theatre). Current projects include the documusical series Unhappy Songs About Unhappy Things, sound installation Interstitial and the short film Emergency Contact. Ellis is an assistant professor and head of the movement area for the MFA Acting Program at Northwestern University.

In this interview, we discuss:

  • What does storytelling mean to you?
  • What's your approach to storytelling through choreography?
  • When you're starting to choreograph a new show, how do you begin?
  • How do you approach the score? What's your process?
  • What's your take on movement in auditions?
  • How can actors utilize movement in auditions without it feeling fully choreographed?
  • How can they best represent themselves in the movement?
  • What are you looking for in callbacks that is different from auditions?

I hope you enjoy this fascinating conversation!

Xo,

Korrie

Find more about Roger Ellis at www.movementdesignchicago.com

Check out www.korrieyamaoka.com to find info about FREE RESOURCES and AUDITION COACHING, and to sign up for my email list.

Korrie’s Email List - Sign up for weekly resources about auditioning, information on new offerings, and the latest news from Studying the Song.

Did you enjoy today’s episode? Please Rate, Review, and Subscribe today!

Contact Korrie at hello@korrieyamaoka.com.

  continue reading

46 episode

Artwork
iconBagikan
 
Manage episode 402959574 series 2873472
Konten disediakan oleh studyingthesong. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh studyingthesong atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Have you ever wondered how much movement is too much movement in an audition?

Have you struggled to find movement that feels authentic to you?

In this episode, Roger Ellis (@rogerellis), head of movement in the MFA Acting Program at Northwestern University, shares how he develops character, creates choreography, and develops a directorial vision through the lens of movement.

He pulls back the curtain on his creative process and reveals the specific tactics he uses to devise choreography, dig deeper into a show’s themes, and how to bring out each actor’s truest self.

Roger Ellis (they/he) is a movement director and filmmaker investigating the mixed reality of Black-queer-aspec experience. Roger is the original director of Nikki Lynette’s Get Out Alive (Steppenwolf, film adaptation, National Alliance for Musical Theatre). Current projects include the documusical series Unhappy Songs About Unhappy Things, sound installation Interstitial and the short film Emergency Contact. Ellis is an assistant professor and head of the movement area for the MFA Acting Program at Northwestern University.

In this interview, we discuss:

  • What does storytelling mean to you?
  • What's your approach to storytelling through choreography?
  • When you're starting to choreograph a new show, how do you begin?
  • How do you approach the score? What's your process?
  • What's your take on movement in auditions?
  • How can actors utilize movement in auditions without it feeling fully choreographed?
  • How can they best represent themselves in the movement?
  • What are you looking for in callbacks that is different from auditions?

I hope you enjoy this fascinating conversation!

Xo,

Korrie

Find more about Roger Ellis at www.movementdesignchicago.com

Check out www.korrieyamaoka.com to find info about FREE RESOURCES and AUDITION COACHING, and to sign up for my email list.

Korrie’s Email List - Sign up for weekly resources about auditioning, information on new offerings, and the latest news from Studying the Song.

Did you enjoy today’s episode? Please Rate, Review, and Subscribe today!

Contact Korrie at hello@korrieyamaoka.com.

  continue reading

46 episode

Semua episode

×
 
Loading …

Selamat datang di Player FM!

Player FM memindai web untuk mencari podcast berkualitas tinggi untuk Anda nikmati saat ini. Ini adalah aplikasi podcast terbaik dan bekerja untuk Android, iPhone, dan web. Daftar untuk menyinkronkan langganan di seluruh perangkat.

 

Panduan Referensi Cepat