That Shakespeare Life podcast

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Pursuit: The Founders' Guide to Happiness

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Episode 1: In Order to Be Happy 29:27

11 hari yang lalu29:27

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29:27

The “pursuit of happiness” is one of the most famous phrases in American history, and when America’s founders wrote it in the Declaration of Independence, they intended it to mean happiness through lifelong learning and self-improvement. To start our series, Jeffrey Rosen and scholar Robert P. George , the McCormick Professor of Jurisprudence and director of the James Madison Program in American Ideals and Institutions at Princeton University, trace how the meaning of pursuit of happiness has changed. Then, American filmmaker Ken Burns shares how — even as he has spent his “entire life trying to figure out the United States” — daily self-reflection has given him new perspectives on what the founders faced 250 years ago. Stay Connected and Learn More Questions or comments about the show? Email us at podcast@constitutioncenter.org . Continue the conversation by following us on social media @ConstitutionCtr. Explore the America at 250 Civic Toolkit. Sign up to receive Constitution Weekly , our email roundup of constitutional news and debate. Follow, rate, and review wherever you listen. Join us for an upcoming live program or watch recordings on YouTube . Support our important work. ⁠⁠⁠⁠⁠⁠⁠⁠ Donate Pursuit: The Founders’ Guide To Happiness is made possible with support from the John Templeton Foundation. © 2025 National Constitution Center. All Rights Reserved.…

That Shakespeare Life

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Hosted by Cassidy Cash, That Shakespeare Life takes you behind the curtain and into the real life of William Shakespeare.

Hosted on Acast. See acast.com/privacy for more information.

276 episode

#History #England #Literature #Performance #Stage #Cassidy Cash #Shakespeare #Storytelling #Books and Writing #Authors #Society #Writing

That Shakespeare Life

102 subscribers

updated 3 hari yang lalu

Beranda serial•Feed

Hosted by Cassidy Cash, That Shakespeare Life takes you behind the curtain and into the real life of William Shakespeare.

Hosted on Acast. See acast.com/privacy for more information.

276 episode

#History #England #Literature #Performance #Stage #Cassidy Cash #Shakespeare #Storytelling #Books and Writing #Authors #Society #Writing

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That Shakespeare Life

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The Holy Grail in Shakespeare’s England 22:42

3 hari yang lalu22:42

22:42

For Shakespeare and his contemporaries, the line between history and myth was often delightfully blurred. Legends of King Arthur and the fabled Holy Grail captured the imaginations of 16th-century England, weaving their way into royal propaganda, courtly entertainments, and even the education of young scholars. Elizabeth I herself was likened to the Grail Maiden, and stories of sacred relics mingled with Renaissance curiosity and Protestant skepticism. While Shakespeare doesn’t mention the Grail directly in his plays, the ideas and imagery surrounding it would have been well known to his audiences. In a world shifting from medieval tradition to early modern innovation, what did the Holy Grail mean in Shakespeare’s England? To help us explore this fascinating blend of myth, politics, and early modern belief, we’re joined today by historian and author Sean Munger. Hosted on Acast. See acast.com/privacy for more information.…

That Shakespeare Life

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What the Anne Hathaway Epitaph Reveals About Her Legacy 24:26

10 hari yang lalu24:26

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This week, we explore the legacy of Shakespeare’s wife, Anne Hathaway, through the only epitaph in the Shakespeare family plot that’s written in Latin and engraved on brass. Our guest, Katherine Scheil, walks us through the historical significance of Anne’s burial placement, the meaning behind the poetic language of her epitaph, and what these choices tell us about Anne’s relationship with her daughters, with William Shakespeare, and with the 17th-century culture of commemoration. Hosted on Acast. See acast.com/privacy for more information.…

That Shakespeare Life

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Feathers in Dress and Costume for the 16th-17th Century 21:37

17 hari yang lalu21:37

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Shakespeare’s plays are rich with references to fashion and feathers. In All’s Well That Ends Well, he writes: “Faith, there’s a dozen of ’em, with delicate fine hats and most courteous feathers, which bow the head and nod at every man.” These plumed hats weren’t just theatrical flourishes—they were part of a broader story of global trade, Indigenous artistic labor, and the ways in which early modern England encountered and represented the wider world. This week, we’re exploring the fascinating intersection of featherwork, costume design, and Indigenous contributions to the English stage during Shakespeare’s lifetime. Our guest is John Kuhn, whose work on Inimitable Rarities investigates how feathers traveled across oceans to arrive on early modern stages—and what their presence can tell us about colonialism, artistic labor, and performance in Shakespeare’s England. Hosted on Acast. See acast.com/privacy for more information.…

That Shakespeare Life

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How Elizabethan England Managed the Flea 24:11

24 hari yang lalu24:11

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“I think this be the most villanous house in all London road for fleas..." - Henry IV Part I (II.1) So complains one of Shakespeare’s characters in The Merry Wives of Windsor , voicing what was surely a common frustration in the 16th and 17th centuries. Fleas were an ever-present part of daily life—so much so that they appeared in poems, jokes, love songs, and even seven different times across Shakespeare’s plays. This week, we’re scratching the surface of these itchy invaders to explore what their presence reveals about hygiene, health, and humor in the early modern world. Our guest is 17th-century historian Andrea Zuvich, here to help us explore how people really managed fleas in Shakespeare’s lifetime. Hosted on Acast. See acast.com/privacy for more information.…

That Shakespeare Life

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The Volta, the Galliard, the Jig, and more: Dances of Elizabethan England 1:00:06

4 weeks yang lalu1:00:06

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In Love’s Labour’s Lost , Berowne declares, “Let us dance and sport,” while in Twelfth Night , Sir Toby Belch exclaims, “Shall we set about some revels?” Shakespeare’s plays are filled with movement—more than 100 stage directions across his works call for a dance, making dance not merely entertainment, but a powerful form of expression in the early modern world. This week on That Shakespeare Life , we’re taking a closer look at what those dances might have looked like in real life. What was the significance of dancing in the 16th and early 17th centuries? What kinds of dances were popular? And how did they reflect the politics, courtship, and social hierarchies of the day? To help us explore the rhythm and meaning behind Shakespeare’s choreography is our guest, historian and dance scholar Emily Winerock. Hosted on Acast. See acast.com/privacy for more information.…

That Shakespeare Life

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Between the Acts: The History and Purpose of the Interval” 30:59

5 weeks yang lalu30:59

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When you picture a Shakespeare play, you likely imagine a continuous performance—scene following scene, act following act—until the final bow. But in Shakespeare’s lifetime, especially at indoor theatres like the Blackfriars, plays weren’t always presented without pause. Candlelight, used to illuminate the stage, had to be trimmed, replaced, or even relit during performances, which meant intentional gaps were built into the show itself. These intervals weren’t just practical; they were part of the theatrical experience—inviting music, moments of reflection, and a rhythm that modern audiences rarely consider. Today we’re diving into this largely overlooked aspect of early modern theatre: the interval. What did it look like? What happened during it? And how did it influence the pacing and experience of Shakespeare’s plays? To help us explore this topic, we’re delighted to welcome Mark Hutchings, whose latest research shines a spotlight on the physical and performative realities of candlelit stages, and their intervals, for the 16th and 17th centuries. Hosted on Acast. See acast.com/privacy for more information.…

That Shakespeare Life

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Wilt Break My Heart?”: Broken Heart Syndrome in Shakespeare’s Plays 50:46

6 weeks yang lalu50:46

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In King Lear , Shakespeare has the king cry out, “Break, heart; I prithee, break!”—a line rich with sorrow, and one that may have held deeper meaning for Shakespeare’s audience than we often assume. Modern medicine identifies Takotsubo Syndrome—also known as “broken heart syndrome”—as a temporary dysfunction of the heart triggered by emotional distress. Incredibly, this concept may have had early roots in the Renaissance understanding of how emotion and the body were intertwined. In this episode, we explore the 17th-century medical beliefs that made room for literal heartbreak, and the evidence in Shakespeare’s plays that suggests he was engaging with those very ideas. From Lear and Gloucester to Enobarbus and Cleopatra, Shakespeare’s characters don’t just feel emotion—they suffer from it physically, sometimes fatally. Our guests this week, Dr. Bríd Phillips and Dr. Claire Hansen, are here to unpack their research connecting Shakespeare’s portrayals of heartbreak with modern cardiology, showing us how the science of the heart may have been hidden in plain sight on the Renaissance stage. Hosted on Acast. See acast.com/privacy for more information.…

That Shakespeare Life

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Did Shakespeare Live on Trinity Lane? 21:20

7 weeks yang lalu21:20

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A letter fragment recently rediscovered in an archive may contain the earliest surviving reference to Shakespeare’s name—and a clue to where he lived in 1596. This week, Matthew Steggle joins us to explore the evidence behind the Trinity Lane location and its connection to Shakespeare. Hosted on Acast. See acast.com/privacy for more information.…

That Shakespeare Life

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Why the Tudors Loved Capons (and Avoided Roosters) 24:20

8 weeks yang lalu24:20

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“He that eats my capon, shall know me better.” — All’s Well That Ends Well (Act II, Scene 2) Roasted to perfection and served at noble feasts, the capon—a castrated rooster prized for its tenderness and rich flavor—was one of the most luxurious poultry options available in Shakespeare’s England. While today the word may be unfamiliar to many, in the 16th and 17th centuries, the capon was a delicacy, frequently mentioned in early modern literature, including a dozen times across Shakespeare’s plays. But what did it mean culturally and culinarily to serve a capon in the Elizabethan era? How were they raised, what status did they hold in society, and what does their appearance in Shakespeare’s works reveal about daily life and dining customs of the time? To help us explore the fascinating world of capons, roosters, and poultry practices in Renaissance England, our guest this week is food historian and prolific author Ken Albala. Hosted on Acast. See acast.com/privacy for more information.…

That Shakespeare Life

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Shakespeare & Fletcher: Neighbors in 1596 London 27:38

9 weeks yang lalu27:38

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When we think of Shakespeare collaborating with another writer, the name John Fletcher quickly comes to mind. Together they penned Two Noble Kinsmen , All is True (also known as Henry VIII ), and the now-lost play Cardenio . But what do we actually know about the working relationship between these two men? Did they sit down side-by-side at a table to write, or pass drafts back and forth in letters? Thanks to new research into the living arrangements of early modern Londoners, we have fresh insight into the possibility that Fletcher and Shakespeare were not just professional collaborators—but next-door neighbors. This week, we’re exploring the archival evidence that places them both on Bishopsgate Street in the late 16th century. Our guest is Domenico Lovascio, whose article “Giles, John, and Will: The Fletchers and Shakespeare in Bishopsgate Street, London, 1596” offers a compelling look at the real-life proximity of these famous playwrights. Hosted on Acast. See acast.com/privacy for more information.…

That Shakespeare Life

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Thermometer in Shakespeare’s England 27:10

10 weeks yang lalu27:10

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In the year 1603, just as Shakespeare was writing Othello and the reign of Elizabeth I was transitioning to James I, Galileo Galilei—famous for exploring the heavens—was also measuring the invisible. Among his lesser-known inventions was a device called the thermoscope, an elegant glass instrument that could detect changes in temperature—centuries before the modern thermometer. Today, we call it the Galilean thermometer, named after Galileo because he discovered the principle that the density of a liquid changes in proportion to its temperature—a concept that set the foundations for modern meteorology. To help us explore how Galileo made his discoveries, exactly how a Galilean thermometer works, and how these scientific advancements were received in Shakespeare’s England, we’re joined by Dr. Dario Camuffo, author of extensive research on Galileo’s contributions to the measurement of temperature and the early development of thermometers. Hosted on Acast. See acast.com/privacy for more information.…

That Shakespeare Life

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Commercial Fishing in Shakespeare’s England: Tools, Trade, and Fish Days 59:34

11 weeks yang lalu59:34

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“Bait the hook well; this fish will bite.” So says Benedick in Much Ado About Nothing , and he’s not alone—Shakespeare drops over 70 references to fish and fishing across his plays, from slippery metaphors to full-on fishing scenes, including actual Fishermen characters in Pericles . But behind those lines lies a very real part of daily life in Elizabethan England. In a world where Protestant reform gave rise to fish days on the calendar and entire industries formed around what came out of the water, one has to wonder: Where did all this fish actually come from? Who was catching it? What tools did they use? And could Shakespeare himself have cast a line into the Thames for a bit of dinner? Today, we’re casting our net into the past to find out. Joining us is historian Mark Ferguson, here to help us explore the methods, markets, and meaning behind commercial and sport fishing in Shakespeare’s England. Let’s dive in. Hosted on Acast. See acast.com/privacy for more information.…

That Shakespeare Life

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Wine and Winemaking in Shakespeare’s England 34:07

12 weeks yang lalu34:07

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While Shakespeare’s plays are filled with references to ale and sack, wine played a central role in both the economy and social customs of Renaissance England. In this episode, we uncork the history of winemaking in Shakespeare’s lifetime—what kinds of grapes were grown, how wine was stored and served, and why a cold snap in the 1500s forever changed England’s vineyards. Our guest, winemaker and historian Stephen Franzoi, joins us to explore the world of Elizabethan viticulture and what Shakespeare himself might have been sipping. Hosted on Acast. See acast.com/privacy for more information.…

That Shakespeare Life

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History Behind Shakespeare's Romeo and Juliet 31:03

13 weeks yang lalu31:03

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“Romeo and Juliet” may be Shakespeare’s most famous love story—but it wasn’t entirely his own. Long before the Bard set quill to page, a tale of star-crossed lovers was already circulating in Europe. In this episode, we’re joined by filmmaker Timothy Scott Bogart, director of the new musical film Juliet & Romeo , which reimagines the lovers’ story in its earlier, 13th-century context. Together, we explore the poems, legends, and historical figures that shaped the world Shakespeare would later dramatize, and discuss how the shifting timeline—from medieval Italy to Renaissance England—changes the story we think we know. Hosted on Acast. See acast.com/privacy for more information.…

That Shakespeare Life

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Puppets Offering a Window into Shakespeare History 30:22

14 weeks yang lalu30:22

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Shakespeare wrote his play Hamlet in the early 1600s and by the late 1600s, well after the death of William Shakespeare in 1616, playing troupes are taking plays including Shakespeare’s Hamlet and other works by early modern playwrights, and turning them into performance adaptations using a new medium---specifically, they’re using puppets. Puppetry, marionettes, and glove puppets perform miniature versions of their human like counterparts as a popular form of theater entertainment for the 17th century. Our guest this week, Tiffany Stern, recently gave a lecture at the University of Birmingham, outlining how the examination of these puppet performances and how exploring the puppets themselves, like one that survives from the 17th century puppet named Amleto, suspiciously similar to the name Hamlet, can not only shed light on stereotypes that carry over from Shakespeare’s lifetime, but these puppets also influence how we understand what it means to be a storyteller. Hosted on Acast. See acast.com/privacy for more information.…

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