In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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The Art of Costume Design
MP3•Beranda episode
Manage episode 413548933 series 2773775
Konten disediakan oleh Audioboom and The Bulwark Goes to Hollywood. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Audioboom and The Bulwark Goes to Hollywood atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
As readers may remember, The Beekeeper has been one of my favorite movies of the year thus far. One thing in particular I loved about it was the costume design: It’s an underappreciated artform, conveying character through clothing, and the costuming in this film perfectly conveyed a range of characters, from “taciturn hero” to “crazed killer” to “crypto douchebag.”
Which is why I’m very excited to have Kelli Jones, the film’s costume designer, on this week to talk about The Beekeeper and her work elsewhere. From previous collaborations with director David Ayer on movies like Bright to the long-running FX biker gang show The Sons of Anarchy to Oscar-nominated biopics like Straight Outta Compton and Nyad, Jones’s work is a striking example of the importance of clothing in bringing a cinematic world to life.
And I have a favor to ask you. The next time you’re watching a movie, think about the silent—but very visible—work that costume design is doing. Look at the suits, soak in the dresses, think about how fabrics can convey period with a simple glance.
Which is why I’m very excited to have Kelli Jones, the film’s costume designer, on this week to talk about The Beekeeper and her work elsewhere. From previous collaborations with director David Ayer on movies like Bright to the long-running FX biker gang show The Sons of Anarchy to Oscar-nominated biopics like Straight Outta Compton and Nyad, Jones’s work is a striking example of the importance of clothing in bringing a cinematic world to life.
And I have a favor to ask you. The next time you’re watching a movie, think about the silent—but very visible—work that costume design is doing. Look at the suits, soak in the dresses, think about how fabrics can convey period with a simple glance.
225 episode
MP3•Beranda episode
Manage episode 413548933 series 2773775
Konten disediakan oleh Audioboom and The Bulwark Goes to Hollywood. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Audioboom and The Bulwark Goes to Hollywood atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
As readers may remember, The Beekeeper has been one of my favorite movies of the year thus far. One thing in particular I loved about it was the costume design: It’s an underappreciated artform, conveying character through clothing, and the costuming in this film perfectly conveyed a range of characters, from “taciturn hero” to “crazed killer” to “crypto douchebag.”
Which is why I’m very excited to have Kelli Jones, the film’s costume designer, on this week to talk about The Beekeeper and her work elsewhere. From previous collaborations with director David Ayer on movies like Bright to the long-running FX biker gang show The Sons of Anarchy to Oscar-nominated biopics like Straight Outta Compton and Nyad, Jones’s work is a striking example of the importance of clothing in bringing a cinematic world to life.
And I have a favor to ask you. The next time you’re watching a movie, think about the silent—but very visible—work that costume design is doing. Look at the suits, soak in the dresses, think about how fabrics can convey period with a simple glance.
Which is why I’m very excited to have Kelli Jones, the film’s costume designer, on this week to talk about The Beekeeper and her work elsewhere. From previous collaborations with director David Ayer on movies like Bright to the long-running FX biker gang show The Sons of Anarchy to Oscar-nominated biopics like Straight Outta Compton and Nyad, Jones’s work is a striking example of the importance of clothing in bringing a cinematic world to life.
And I have a favor to ask you. The next time you’re watching a movie, think about the silent—but very visible—work that costume design is doing. Look at the suits, soak in the dresses, think about how fabrics can convey period with a simple glance.
225 episode
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