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The Taming of the Shrew: ‘No Profit Grows Where No Pleasure Is taken’

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Manage episode 437586773 series 2798781
Konten disediakan oleh Philip Rowe. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Philip Rowe atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Episode 133:


The complications with dating the play and it’s relationship with a similar Elizabethan play

The sources for the play

A short summary of the play

The Christopher Sly framing device

Switching of roles in the play

The disguise motif

The motivations of the leading characters

The implication of the falconry images in the play

The Elizabethan idea of a proper wife and correct behaviour

Similarities with Elizabethan ‘wife taming’ ballads

The play as an inheritor of Roman comedy

The protagonists as stock characters

Katherine’s imbalance of the humours

Are Petruchio and Katherine a matched couple?

Do the three marriages resolve the play?

Does the play make a serious point about gender relationships in Elizabethan England?

The ‘difficult’ final speech by Katherine


Support the podcast at:

www.thehistoryofeuropeantheatre.com


www.patreon.com/thoetp


www.ko-fi.com/thoetp



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

184 episode

Artwork
iconBagikan
 
Manage episode 437586773 series 2798781
Konten disediakan oleh Philip Rowe. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Philip Rowe atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Episode 133:


The complications with dating the play and it’s relationship with a similar Elizabethan play

The sources for the play

A short summary of the play

The Christopher Sly framing device

Switching of roles in the play

The disguise motif

The motivations of the leading characters

The implication of the falconry images in the play

The Elizabethan idea of a proper wife and correct behaviour

Similarities with Elizabethan ‘wife taming’ ballads

The play as an inheritor of Roman comedy

The protagonists as stock characters

Katherine’s imbalance of the humours

Are Petruchio and Katherine a matched couple?

Do the three marriages resolve the play?

Does the play make a serious point about gender relationships in Elizabethan England?

The ‘difficult’ final speech by Katherine


Support the podcast at:

www.thehistoryofeuropeantheatre.com


www.patreon.com/thoetp


www.ko-fi.com/thoetp



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

184 episode

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