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Konten disediakan oleh Aubrey Whitlock and Jess Hamlet. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Aubrey Whitlock and Jess Hamlet atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
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Tempest 301

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Konten disediakan oleh Aubrey Whitlock and Jess Hamlet. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Aubrey Whitlock and Jess Hamlet atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Sometimes when you think you have nothing to say about a play, it turns out you still have a sh*t-ton to say. Today’s 301 episode revisits The Tempest, and we ask the question - what is its genre, really, and also why this play now? Jess posits that maybe The Tempest would feel a little more cathartic at the end if it were staged more like a revenge tragedy at the beginning; Aubrey speculates a bit about why so many regional theaters have added this title to their 2022 lineup. Oh, and we take not one but TWO birdwalks down Marie de France lane because Jess just can’t shut up about this medieval author. Lesbian weasels! Fun times!

  continue reading

100 episode

Artwork
iconBagikan
 
Manage episode 319808742 series 3047854
Konten disediakan oleh Aubrey Whitlock and Jess Hamlet. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh Aubrey Whitlock and Jess Hamlet atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Sometimes when you think you have nothing to say about a play, it turns out you still have a sh*t-ton to say. Today’s 301 episode revisits The Tempest, and we ask the question - what is its genre, really, and also why this play now? Jess posits that maybe The Tempest would feel a little more cathartic at the end if it were staged more like a revenge tragedy at the beginning; Aubrey speculates a bit about why so many regional theaters have added this title to their 2022 lineup. Oh, and we take not one but TWO birdwalks down Marie de France lane because Jess just can’t shut up about this medieval author. Lesbian weasels! Fun times!

  continue reading

100 episode

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