The Modern Art Notes Podcast is a weekly, hour-long interview program featuring artists, historians, authors, curators and conservators. Pulitzer Prize-winning art critic Sebastian Smee called The MAN Podcast “one of the great archives of the art of our time.” When the US chapter of the International Association of Art Critics gave host Tyler Green one of its inaugural awards for criticism in 2014, it included a special citation for The MAN Podcast.
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Konten disediakan oleh The Lonely Palette and Tamar Avishai. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh The Lonely Palette and Tamar Avishai atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
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Ep. 48 - Anselm Kiefer's "Margarete" and "Sulamith" (1981)
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Manage episode 268820203 series 1319526
Konten disediakan oleh The Lonely Palette and Tamar Avishai. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh The Lonely Palette and Tamar Avishai atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
The art of postwar German artist Anselm Kiefer and the poetry of Holocaust survivor Paul Celan have a lot in common. They’re both layered, dense, hard to read, and most of the time you’re not quite sure if you get it. And while this might seem like an onerous way to understand history, sometimes the best starting point is through the layered, dense, and idiosyncratic ways that an individual processes trauma. So grab a spelunking hardhat and together we'll mine these layers of metaphor and materials, texture and text, golden straw and blackened ash, that comprise the unimaginable. This episode was produced with support from the San Francisco Museum of Modern Art. Learn more at www.sfmoma.com. See the images: https://bit.ly/31gUSwW Music used: The Blue Dot Sessions, “The Bus at Dawn,” “Silky,” Drone Pine,” “Tiny Bottles,” “Inamorata,” “Tapoco,” “The Summit,” “Cirrus,” “Derailed,” “Insatiable Toad,” “Dolly and Pad,” “A Pleasant Strike” John Williams, performed by Itzhak Perlman & Pittsburgh Symphony Orchestra, “Theme from Schindler’s List” Support the show: www.patreon.com/lonelypalette
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117 episode
MP3•Beranda episode
Manage episode 268820203 series 1319526
Konten disediakan oleh The Lonely Palette and Tamar Avishai. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh The Lonely Palette and Tamar Avishai atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.
The art of postwar German artist Anselm Kiefer and the poetry of Holocaust survivor Paul Celan have a lot in common. They’re both layered, dense, hard to read, and most of the time you’re not quite sure if you get it. And while this might seem like an onerous way to understand history, sometimes the best starting point is through the layered, dense, and idiosyncratic ways that an individual processes trauma. So grab a spelunking hardhat and together we'll mine these layers of metaphor and materials, texture and text, golden straw and blackened ash, that comprise the unimaginable. This episode was produced with support from the San Francisco Museum of Modern Art. Learn more at www.sfmoma.com. See the images: https://bit.ly/31gUSwW Music used: The Blue Dot Sessions, “The Bus at Dawn,” “Silky,” Drone Pine,” “Tiny Bottles,” “Inamorata,” “Tapoco,” “The Summit,” “Cirrus,” “Derailed,” “Insatiable Toad,” “Dolly and Pad,” “A Pleasant Strike” John Williams, performed by Itzhak Perlman & Pittsburgh Symphony Orchestra, “Theme from Schindler’s List” Support the show: www.patreon.com/lonelypalette
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117 episode
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