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From the Archive: St. Vincent’s Seduction

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Konten disediakan oleh WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Annie Clark, known as St. Vincent, launched her career as a guitar virtuoso—a real shredder—in indie rock, playing alongside artists like Sufjan Stevens. As a bandleader, she’s moved away from the explosive solos, telling David Remnick, “There’s a certain amount of guitar playing that is about pride, that isn’t about the song. . . . I’m not that interested in guitar being a means of poorly covered-up pride.” Her songs are dense, challenging, and not always easy, but catchy and seductive. Remnick caught up with Clark before the launch of her new album, “MASSEDUCTION.” They talked about the clarity of purpose she needed in order to “clear a path” to write the “glamorously sad songs” she’s become known for.

This segment originally aired on October 13, 2017.

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920 episode

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iconBagikan
 
Manage episode 456205647 series 94072
Konten disediakan oleh WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang diuraikan di sini https://id.player.fm/legal.

Annie Clark, known as St. Vincent, launched her career as a guitar virtuoso—a real shredder—in indie rock, playing alongside artists like Sufjan Stevens. As a bandleader, she’s moved away from the explosive solos, telling David Remnick, “There’s a certain amount of guitar playing that is about pride, that isn’t about the song. . . . I’m not that interested in guitar being a means of poorly covered-up pride.” Her songs are dense, challenging, and not always easy, but catchy and seductive. Remnick caught up with Clark before the launch of her new album, “MASSEDUCTION.” They talked about the clarity of purpose she needed in order to “clear a path” to write the “glamorously sad songs” she’s become known for.

This segment originally aired on October 13, 2017.

  continue reading

920 episode

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