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Stephanie Hsu on “Everything Everywhere All at Once”; and the 2023 Brody Awards

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Manage episode 356583904 series 94072
Konten disediakan oleh WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang dijelaskan di sini https://id.player.fm/legal.

“Everything Everywhere All at Once” is in a genre all its own, and is an extremely unlikely favorite for the Academy Award for Best Picture. It’s a loopy sci-fi quest that becomes a martial arts revenge battle, superimposed on a sentimental family drama. Stephanie Hsu plays both Joy, a depressed young woman struggling with her immigrant mother (played by Michelle Yeoh), and Jobu Tupaki, an interdimensional supervillain bent on sowing chaos, and possibly the end of the world. “The relationship between Evelyn and Joy in its simplest terms is very fraught,” Hsu tells the staff writer Jia Tolentino. “It’s the story of a relationship of a daughter who’s a lesbian who is deeply longing for her mother’s acceptance . . . but they keep chasing each other around in the universe and they can just never find one another. Until, of course, they launch into the multiverse and become nemeses.” The film is nominated for eleven Academy Awards, including Best Supporting Actress, for Hsu’s performance.

Plus, in a New Yorker Radio Hour annual tradition, the incorruptible film critic Richard Brody bequeaths the awards that really matter: the Brody Awards, recognizing the finest performances and the best picture of 2022.

  continue reading

817 episode

Artwork
iconBagikan
 
Manage episode 356583904 series 94072
Konten disediakan oleh WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. Semua konten podcast termasuk episode, grafik, dan deskripsi podcast diunggah dan disediakan langsung oleh WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker atau mitra platform podcast mereka. Jika Anda yakin seseorang menggunakan karya berhak cipta Anda tanpa izin, Anda dapat mengikuti proses yang dijelaskan di sini https://id.player.fm/legal.

“Everything Everywhere All at Once” is in a genre all its own, and is an extremely unlikely favorite for the Academy Award for Best Picture. It’s a loopy sci-fi quest that becomes a martial arts revenge battle, superimposed on a sentimental family drama. Stephanie Hsu plays both Joy, a depressed young woman struggling with her immigrant mother (played by Michelle Yeoh), and Jobu Tupaki, an interdimensional supervillain bent on sowing chaos, and possibly the end of the world. “The relationship between Evelyn and Joy in its simplest terms is very fraught,” Hsu tells the staff writer Jia Tolentino. “It’s the story of a relationship of a daughter who’s a lesbian who is deeply longing for her mother’s acceptance . . . but they keep chasing each other around in the universe and they can just never find one another. Until, of course, they launch into the multiverse and become nemeses.” The film is nominated for eleven Academy Awards, including Best Supporting Actress, for Hsu’s performance.

Plus, in a New Yorker Radio Hour annual tradition, the incorruptible film critic Richard Brody bequeaths the awards that really matter: the Brody Awards, recognizing the finest performances and the best picture of 2022.

  continue reading

817 episode

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