Behind the scenes stories from the making of Nightmare Before Christmas. Each episode is an in depth interview with a different crew member. Animators, artists, techies, production staff, and more all stop by to tell what it was like making this incredible film.
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Director Henry Selick and animator Anthony Scott interviewed in front of a live audience at the Disney Family Museum in San Francisco.
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Director of Photography Pete Kozachik
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He was responsible for the overall look of the film through the lens of a half dozen different camera crews on 20 different sets. Not to mention he basically invented motion control.Oleh Studio 65/45
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The man who put it all together.Oleh Studio 65/45
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Character Fabricator Supervisor Bonita De Carlo
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Bonita was in charge of getting every single puppet completed and ready for animation - a mind boggling amount of work. She tells us all about it.Oleh Studio 65/45
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Ghosts, smoke, fire, stars, snowflakes, and obsolete techniques.Oleh Studio 65/45
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Character Fabricator Elise Robertson
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Sewing, painting, dressing, and bringing every single puppet to life.Oleh Studio 65/45
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Henry Selick, Art Clokey, Peter Jackson, Marilyn Manson, motorcycles, breast feeding, Excederin, Gumby, cotton ball clouds, and of the course the beauty of stop motion animation.Oleh Studio 65/45
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Carl takes us on a Skellington journey through the lens of a possibly irradiated camera. Collaboration, multiple camera crews, multiple set ups, in-camera effects, and the 'faces in the fire'.Oleh Studio 65/45
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Twenty four stages all running at the same time. Who kept all that in order? Kirk for one.Oleh Studio 65/45
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Artistic Coordinator Allison Abbate
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Allison somehow kept the entire Art Department on track - an enormous job. She tells us all about it.Oleh Studio 65/45
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Interview with Camera Operator Pat Sweeney
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Camera problems, motion control problems, animator problems, set problems, and margaritas.Oleh Studio 65/45
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Interview with Mold Maker Michael Jobe
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Mold Maker? What's that, and why do we need one on a movie? Mike fills us in.Oleh Studio 65/45
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Interview with Model Maker/Assistant Art Director Bill Boes
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With enough cardboard and hot glue anything is possible. Bill takes us deep into the heart of the Art Department.Oleh Studio 65/45
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Interview with Camera Assistant Mark Kohr
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Abstraction vs Suggestion. Our most ineffable interview. Buckle up. Mark takes us deep.Oleh Studio 65/45
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Interview with Armature Engineer Chris Rand
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Each character in Nightmare Before Christmas has a posable skeleton. Somebody had to make them. Chris tells us about it.Oleh Studio 65/45
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Interview with Art Director Deane Taylor
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Tales from the heart of the Art Department.Oleh Studio 65/45
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Interview with FX Animator Nate Stanton
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2D animation, more Tim Burton stories, and the alternate ending!!Oleh Studio 65/45
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Interview with Assistant Camera James Matlosz
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Set up after set up...Problem after problem. Jim fills us in.Oleh Studio 65/45
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Interview with Set Foreman Tom Proost
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Cigarettes, musicals, collaboration, making it up as you go, and the endless joy of building with your own two hands.Oleh Studio 65/45
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Interview with Assistant to the Producer/Director Gisela Hermeling
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Gisela shares stories about the Producer, the Director, Danny Elfman, Tim Burton, and the den of wolves otherwise known as the Story Department.Oleh Studio 65/45
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Interview with Animator Justin Kohn
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Confidence, ritual, meditation, and animating skeleton reindeer.Oleh Studio 65/45
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Interview with Track Reader & Animator Dan mason
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Dan tells us how he made Jack Skellington speak.Oleh Studio 65/45
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Interview with Production Accountant Kevin Reher
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Studio shenanigans, Gumby, shopping on Fillmore Street with Catherine O'Hara, and Bill Hickey's "orange juice".Oleh Studio 65/45
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Interview with Animator Owen Klatte
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One of the original Skellington Seven animators shares his story.Oleh Studio 65/45
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Interview with Assistant Art Director Kelly Asbury
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Prat falls, food poisoning, smoke and mirrors, and a broken bathroom fan.Oleh Studio 665/45
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Interview with Assistant Artistic Coordinator Shane Francis
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Shirtless animators, sleeping in the projection booth, nightclubbing, KUSF, Bill Hickey, and all Shane's crushes.Oleh Studio 65/45
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Interview with Set Construction Supervisor Bo Henry
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Set building, set painting, and a rat killing dog.Oleh Studio 65/45
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Interview with Animator Angie Glocka
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Angie talks animation, art, weekend parties, group think, and being stuck with the worst frame grabber in the studio.Oleh Studio 65/45
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Interview with Character Fabricator Lauren Vogt
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Who painted the puppets? Who dressed the puppets? Who sewed Jack's suit? Lauren tells all about it.Oleh Studio 65/45
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Interview with Set Designer Gregg Olsson
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Oleh Studio 65/45
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Interview with Animator Mike Belzer
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Oleh Studio 65/45
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Interview with Set Dresser Gretchen Scharfenberg
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Oleh Studio 65/45
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Interview with Camera Operator Ray Gilberti
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Oleh Studio 65/45
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Interview with Set Builder Fon Davis
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Oleh Studio 65/45
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Interview with Sculptor Randal Dutra
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Sculptor, character designer, and animator Randal Dutra stops by to talk about bringing the designs to 3D life.Oleh Studio 65/45
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Academy Award Nominee Tim Hittle shares his stories about animating Jack, Sally, and Zero.
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Interview with Model Maker Jerome Ranft
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Jerome comes in studio and tells us fantastic stories about his brother Joe, his boss Mitch, the model shop, and of course, The Claw.Oleh Studio 65/45
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Producer Kathleen Gavin joins us by phone for a fun conversation and some really good stories about what it was like to lead the Skellington crew.Oleh Studio 65/45
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Interview with Animator Anthony Scott
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Animator Anthony Scott shares his memories about animating Jack Skellington.Oleh Studio 65/45
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Interview with Associate Producer Phil Lofaro
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Associate Producer / Production Manager Phil Lofaro stops by to tells us what it was really like trying to keep Skellington Studios on course and pointed in the right direction throughout more than 24 months of production.Oleh Studio 65/45
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