Dior Talks podcast

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444- Eloping is Fun with Jenny Mac 1:06:22

35 weeks yang lalu1:06:22

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Want to ditch the big wedding and elope? This episode's for you! Jenny Mac, creator of New York City-based Eloping is Fun, joins us this week to chat about the next steps after deciding to elope, as well as the creative ways couples are balancing traditions with a more intimate elopement or micro-wedding. Find Eloping is Fun on Instagram at @elopingisfun and their website elopingisfun.com Visit thebridechilla.com for all the latest news! BriteCo: Modern Insurance for Modern Milestones. Visit brite.co/bridechilla/ for a fast, free quote today and unlock peace of mind knowing you're covered. Learn more about your ad choices. Visit megaphone.fm/adchoices…

Dior Talks

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Dior Talks* is delighted to introduce its latest podcast series dedicated to the Dior Lady Art project. Tune in to hear the stories and inspirations behind a new round of artist interpretations of the House’s iconic Lady Dior bag. An iconic object of desire with an extraordinary destiny that continues to be shaped by concepts and events forever transcending the boundaries of innovation and inventiveness. Thus, since 2016, for the Dior Lady Art project, the house has given international artists carte blanche to revisit this exceptional bag, which is then transformed into a dream canvas onto which they transpose their vision, their universe, their singularity. For this ninth edition, Sara Flores, Jeffrey Gibson, Huang Yuxing, Liang Yuanwei, Danielle Mckinney, Duy Anh Nhan Duc, Hayal Pozanti, Faith Ringgold, Vaughn Spann, Anna Weyant and Woo Kukwon each take their turn in appropriating the Lady Dior as a fascinating emblem of poetic metamorphosis. An alchemical combination of Dior’s heritage and creative freedom, resonating like an ode to passion and the world’s cultures. *An exceptional series hosted by the Paris-based fashion journalist Katya Foreman. Hosted by Ausha. See ausha.co/privacy-policy for more information.

57 episode

#Fashion and Beauty #Arts #France #Dior

Dior Talks

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updated sekitar 17 jam yang lalu

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57 episode

#Fashion and Beauty #Arts #France #Dior

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Eyes, Fingerprints, and AI Dreams: Marc Quinn’s Living Sculptures for Dior Lady Art #10 17:34

17 hours yang lalu17:34

17:34

Welcome to the Dior Talks podcast series dedicated to the 10th edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this milestone edition, 10 artists from around the world were invited to reinterpret the iconic Lady Dior handbag, transforming it into a one-of-a-kind artwork. In this episode, we speak with British artist Marc Quinn, whose practice spans sculpture, painting, and public installations that explore identity, the body, and the evolving dialogue between nature and technology. A pivotal figure in contemporary art, Quinn was the very first artist to collaborate on Dior Lady Art in 2016. Almost a decade later, he returns with a bold new series that bridges past and present, human and machine, reality and dream. For this 10th edition, Quinn reimagines the Lady Dior as a living sculpture, enriched with three-dimensional elements that bring sound and movement to life. His five new creations revisit themes at the heart of his work: the iris as a symbol of identity and perception, flowers as emblems of beauty and transience, and fingerprints as unique traces of the self. Among the collection, one bag shimmers with metallic forms of varying sizes, enlarged portraits of Christian Dior’s own fingerprint. These abstract, oval shapes are partly fixed, while others dangle freely and produce a soft clink as the bag moves. Another bag teems with hundreds of enameled eyes generated by an AI system trained on Quinn’s iris paintings —surreal variations he describes as “AI dreaming of what we look like.” One design stands out for its restraint: pure white, decorated only with a sculptural silver orchid on the front and a smaller bloom in the top corner, its pared-back elegance recalling the minimalism of the 1960s. For Quinn, these works are not simply accessories but mobile sculptures—artworks carried into daily life, shaped by chance, encounter, and performance. Bridging the virtual and the physical, the personal and the universal, they embody identities in transformation, becoming relics of the present and messengers of the future. Download the episode to hear Marc Quinn reflect on his creative journey, his return to Dior Lady Art, and the poetic meeting point of art, fashion, and technology. Hosted by Ausha. See ausha.co/privacy-policy for more information.…

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Pearl of the Antilles: Patrick Eugène for Dior Lady Art #10 18:22

8 hari yang lalu18:22

18:22

Welcome to the Dior Talks podcast series dedicated to the 10th edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this milestone edition, 10 artists from across the globe were invited to reinterpret the iconic Lady Dior handbag, transforming it into a one-of-a-kind artwork. In this episode, we exchange with Patrick Eugène, an Atlanta-based Haitian-American artist whose practice is at once intuitive, transcendent, and deeply anchored in cultural lineage. Having come to painting in his late twenties, Eugène describes the medium as a calling—an all-consuming devotion that quickly became both sanctuary and spiritual journey. His imagined portraits of men and women of color radiate quiet resilience and dignity, their open expressions inviting the viewer into dialogue. For his Dior Lady Art collaboration, Eugène turned to his Haitian roots with a project titled Pearl of the Antilles . Known as a tribute to Haiti to describe its natural beauty, in part derived from its bountiful resources, the phrase here is reclaimed as an homage to underscore Haiti’s endurance, culture, and spirit. Working closely with the House’s ateliers, Eugène translated his painterly language into sculptural form, drawing on materials emblematic of both Haiti and Dior: raffia, bamboo, supple leather, and gleaming pearls. The pearls recall both the women who populate his canvases and Dior’s codes of timeless elegance, while earthy greens, deep blues, and burgundies evoke Haiti’s mountainous landscapes. Each bag is adorned with a pearl charm—a discreet yet potent emblem of pride and remembrance. Rooted in ancestry yet attuned to the present, this collaboration becomes a vessel through which Eugène weaves together past and present, memory and history, identity and craftsmanship. The result is a body of work that resonates far beyond fashion—spiritual in essence, graceful in form, and enduring in legacy. Download the episode to step into Patrick Eugène’s universe and discover his journey with Dior Lady Art #10. Hosted by Ausha. See ausha.co/privacy-policy for more information.…

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Mapping the Eternal: Jessica Cannon for Dior Lady Art 24:48

15 hari yang lalu24:48

24:48

Welcome to the Dior Talks podcast series dedicated to the 10th edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this milestone edition, 10 artists from across the globe were invited to reinterpret the iconic Lady Dior handbag, transforming it into a one-of-a-kind artwork. In this episode, we speak with Brooklyn-based painter Jessica Cannon, whose luminous, meditative practice explores celestial forms, interior landscapes, and the subtle mysteries of light and color. For her Dior Lady Art collaboration, Cannon approached the Lady Dior as a dimensional extension of her work—translating the layered surfaces, symbolic imagery, and shifting light of her paintings into a tactile form through embroidery, beading, and sculptural materials. Drawing from the rich universe of Dior—from the House’s layered silhouettes to the fantastical jewelry of Victoire de Castellane—Cannon rooted her three handbag designs in the concept of eternity. A standout piece, The Sky for Catherine , pays homage to Catherine Dior—Monsieur Dior’s sister, a French Resistance fighter and devoted gardener—through a spiral motif that echoes the form of a dove. Crafted from sculpted tulle, pearlescent discs, iridescent sequins, glass beads, and crystals, the bag captures the shimmering, light-sensitive qualities of Cannon’s paintings. Even the handles are conceived as sacred jewels, symbolizing the connection between the hand, creation, and the divine. This intimate collaboration with the Dior ateliers—blending craftsmanship, symbolism, and poetic vision—offers a powerful meditation on the Lady Dior as both object and experience. Download the episode to step into Jessica Cannon’s universe and discover her journey with Dior Lady Art #10. Hosted by Ausha. See ausha.co/privacy-policy for more information.…

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Sara Flores embraces Dior lady Art as a global platform for showcasing an ancestral art form 18:12

37 weeks yang lalu18:12

18:12

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to the eagerly anticipated ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art. In the latest episode, Peruvian artist Sara Flores approaches the Lady Dior as a global canvas to promote Kené, the ancient visual language of the Shipibo-Conibo people, indigenous to the Ucayali River in the Peruvian Amazon. Traditionally applied as body painting and on ceramic and textiles intended for clothing, using local plant-based pigments such as turmeric and annatto, the painstaking artistic practice of Kené is passed down by mothers to daughters. Flores’ intricate geometric paintings of labyrinths, images that come to her in visions triggered by psychoactive plants grown in the jungle, reflect the complex interconnected web of life found within the Amazonian rainforest. For Dior Lady Art, Flores celebrates the traditions of her people with two unique handbags directly inspired by her Kené designs, crafted from vegan pineapple leather and tocuyo cotton hand-painted with vegetal dyes. The first, a medium-sized model, features a handle adorned with a cosmic serpent, its surface sparkling with a constellation of black beads, while the second, a mini bag, is embellished with a maze of shimmering silver gems. Also embroidered with a serpentine motif, the bags convey the concept of spiritual healing through the intentional paths traced by the strokes. These remarkable pieces do more than just captivate the eye, they engage the senses, shedding light on the enduring legacy of ancient cultural traditions as they carry a message of respect for the natural world. Download the episode to learn more about Sara Flores’ universe and the Dior Lady Art experience. Hosted by Ausha. See ausha.co/privacy-policy for more information.…

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Liang Yuanwei embraces experimental design for Dior Lady Art 15:26

39 weeks yang lalu15:26

15:26

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to the eagerly anticipated ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art. Our latest guest, the celebrated Chinese artist Liang Yuanwei, takes the bag’s status as an emblem of artisanal craftsmanship with rich cultural connotations to new heights, interweaving references to her impasto “Golden Notes” series and Ru ware from the Song dynasty. Blending ancient and new techniques, her captivating Lady Dior resembles a porcelain object, with the artist’s textured brushstrokes evoking crackles in the glaze. Layered with symbolism, the bag’s edges in antique gold metal echo traditional gilding techniques, while its color recalls the signature celadon green shade of Ru ware. Its creation required a series of painstaking processes. The artist’s calligraphic brushstrokes, which differ in power and do not overlay the other, were reproduced in resin using a 3D printing process before being broken into pieces, like a puzzle, and then recomposed on a velvet base. Download the episode to learn more about the artist’s fascinating Dior Lady Art journey and how this experimental process, and collaborating with the House’s artisans, has impacted her creative approach. Hosted by Ausha. See ausha.co/privacy-policy for more information.…

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Vaughn Spann Transposes His Artistic Universe Onto the Lady Dior 18:53

41 weeks yang lalu18:53

18:53

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to the eagerly anticipated ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art. For our latest guest, the American artist Vaughn Spann, collaborating on Dior Lady Art meant a change of scale. Adopting a conceptual approach, the New Jersey-based talent recalibrated details from a selection of his monumental works for three distinctive day-to-night variations of the Lady Dior that capture the signature otherworldly colors, materiality and feel of the original works. Spann’s color-blocked red and black “Flame” Lady Dior has a richly textured, fiery, volcanic feel, while for the “Dalmatian” design, gridded, spotted abstractions offer a graphic twist on the bag’s signature motifs. Meanwhile, for his “Marked Man” Lady Dior, a giant opaque “X” motif floats on a sheer pink plexiglass base topped by a retro briefcase handle, playfully blurring masculine-feminine codes. Embodying a cross-pollination of fashion and art, the contemporary creations are designed to accompany the wearer on different occasions, whether to a gala, a nightclub or on a ski trip, offering the opportunity to live with the artist’s paintings in a more compact and intimate way. Download the episode to learn more about Spann’s universe and Dior Lady Art journey. Hosted by Ausha. See ausha.co/privacy-policy for more information.…

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Duy Anh Nhan Duc transforme le Lady Dior en un jardin nomade 14:32

42 weeks yang lalu14:32

14:32

La nouvelle série Dior Talks, présentée par la journaliste parisienne Katya Foreman, met à l'honneur la très attendue neuvième édition de Dior Lady Art. Pour l’occasion, onze artistes de renommée internationale ont été invités à réinterpréter l’emblématique sac Lady Dior et à en faire une œuvre d’art unique. Passionné de nature, tout comme Monsieur Dior, notre invité est l’artiste Duy Anh Nhan Duc, né au Vietnam et installé à Paris. Véritable poète botanique, il crée des installations éthérées en utilisant des mauvaises herbes et des fleurs sauvages, capturant l’essence d’un univers enchanteur. L’artiste récolte ces plantes oubliées autour de son atelier au Pré-Saint-Gervais, celles qui poussent entre les fissures des trottoirs et qui rappellent les jeux de son enfance. Parmi elles, salsifis, chardons, blé, trèfles et akènes de pissenlit qui, lorsqu’on souffle dessus, s’envolent en une myriade de graines. Ces végétaux sont ensuite minutieusement séchés dans son atelier avant d’être intégrés à ses œuvres, dans une exploration fascinante des cycles de la vie et de la fragilité de l’instant présent. Pour Dior Lady Art, l’artiste a transposé sa passion des plantes sauvages sur un Lady Dior immaculé, alliant simplicité organique et élégance virtuose. Une profusion de plantes en relief orne le cuir vegan, rehaussée par des broderies délicates. En lieu et place du cannage emblématique, un treillis métallique finement travaillé symbolise un jardin ouvert à tous. Le sac se pare également de branches dorées en métal précieux et cache un secret : un talisman unique, une graine de pissenlit dorée et préservée à jamais dans une goutte de résine. Découvrez cet épisode pour plonger dans l’univers fascinant de l’art végétal de Duy Anh Nhan Duc. Hosted by Ausha. See ausha.co/privacy-policy for more information.…

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Duy Anh Nhan Duc Transforms the Lady Dior into a Portable Garden 16:03

42 weeks yang lalu16:03

16:03

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to the eagerly anticipated ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art. A lover of nature like Monsieur Dior himself, our latest guest is the Vietnam-born, Paris-based artist Duy Anh Nhan Duc, a green-fingered poet who creates ethereal installations composed of common weeds and wildflowers, forming the essence of his enchanting universe. The artist collects them near his studio in Le Pré-Saint-Gervais, focusing on the “forgotten plants” that push through the cracks of sidewalks – the type he would play with as a child – from salsifies, thistles and wheat to clover and dandelion puffballs that, when blown, disperse into an explosion of seeds. He then painstakingly dries them in his studio to use in his works, weaving a fascinating dialogue from the cycles of life, focusing on the fragility of the moment. For Dior Lady Art, the artist imprints his passion for wild plants onto a pristine white Lady Dior, fusing organic simplicity with virtuoso elegance. A profusion of plants embossed into vegan leather is enhanced by delicate embroidery, while in lieu of the iconic cannage quilting, a delicate wire trellis is partly exposed, symbolizing a garden that is open to all. Adorned with contrasting golden branches crafted from gilded metal, the bag also contains a hidden surprise: the secret talisman of a gold-embellished dandelion, captured in a drop of resin for all eternity. Download the episode to learn more about Duy Anh Nhan Duc’s remarkable vegetal artistry. Hosted by Ausha. See ausha.co/privacy-policy for more information.…

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Jeffrey Gibson Explores the Complexities of Loving and Being Loved for Dior Lady Art 18:02

45 weeks yang lalu18:02

18:02

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to t ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art. Collaborating with Dior Lady Art for a second consecutive season, artist Jeffrey Gibson, a member of the Mississippi Band of Choctaw Indians and Cherokee descent, returns with a piece inspired by his 2017 punching-bag sculpture “LOVE IS THE DRUG,” themed around the complexities of loving and being loved. An advocate of artisans, materials, pattern and adornment, the New York-based artist – known for his ultra-colorful works that combine traditional Native American craftsmanship with a bold, almost psychedelic aesthetic – also plays with texts and slogans, embracing the power of speech as he celebrates the forgotten and the marginalized. Thus, his latest Lady Dior is fully beaded on one side, with the word “Love” repeated three times in a signature LCD-style font, while the other is loaded with over 70 jangling 3D-printed hearts. “Being a person of color traveling around the world – I’ve lived in London, South Korea, Germany and different states in the United States – I think I’ve really always paid attention to how people dress themselves and adorn themselves,” says the artist. “I’m really interested in different kind of movements, whether it’s feminist movements, LGBTQ movements or Indigenous liberation movements, and the ways that we codify that in how we dress.” Download the episode to learn more about Jeffrey Gibson’s fascinating universe. Hosted by Ausha. See ausha.co/privacy-policy for more information.…

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DLA - Hayal Pozanti Explores the Power of Nature and Collective Dreaming for Dior Lady Art 21:32

46 weeks yang lalu21:32

21:32

The new series of Dior Talks – hosted by Paris-based journalist Katya Foreman – is dedicated to the eagerly anticipated ninth edition of Dior Lady Art. Eleven global artists have been invited to transform the iconic Lady Dior handbag into a unique piece of art. Our latest guest is artist Hayal Pozanti, who explores dreaming as a collective power to create a new reality. The Turkish-born, US-based artist lives in Manchester in rural Vermont, a town surrounded by forest-covered mountains, endless lakes and rivers and waterfalls and greenery. Drawing on the tradition of plein air painting, Pozanti creates preliminary pastel sketches during hikes which she transforms into large-scale landscapes, painting with oil sticks, her fingers, her hands and body. The artist draws upon her experiences of the natural world, her dreams and her intuitions, directing the gaze towards a fictional elsewhere that feels irresistibly real. For Dior Lady Art, Pozanti has created three Lady Dior bags inspired by her art and travels into the heart of the mountains. The first two designs feature details drawn from her passion for trekking: sheepskin inserts reminiscent of the lining of hiking boots, custom carabiners hand-crafted by the Dior Ateliers and feet recalling the star-shaped tips of walking poles. The iconic “D, I, O, R” charms are translated into hieroglyphs conceived by the artist. Based on a painting Pozanti created on a beach during a full moon, the third model is a clutch painted with a nocturnal panorama and embroidered with comet-like trails of rhinestones; the interior is covered with mirrors, offering a reflection of oneself and the earth. “It's a painting that encompasses all that is magic about our world,” says the artist. Download the episode to learn more about Hayal Pozanti’s fascinating universe. Hosted by Ausha. See ausha.co/privacy-policy for more information.…

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[DLA] Xu Zhen reinvents the Lady Dior: invitation to discover his unique imagination revisiting the spirit of this iconic object of desire 15:27

2 years yang lalu15:27

15:27

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique piece of art. With his 360-degree vision of the art world, as a gallerist and curator, our latest guest, the renowned Chinese contemporary artist Xu Zhen, combines installation, video, painting and performance in a singular, inventive universe that explores subjects ranging from socio-political taboos to consumerism and the principles of the art market. The artist’s fascinating works subvert – not without irony – notions of artisanship and originality (relative to mass production), as well as concepts of ownership and globalization in the digital age. He thwarts and questions their effects on the art market, making visible certain dissonances and the resulting absence of logic. For Dior, the conceptual artist, who has exhibited at a number of prestigious art institutions and biennales internationally, including the Venice Biennale, MoMA PS1 in New York and the Hayward Gallery in London, wanted to reflect on the value and meaning of discourse. Inspired by his “Metal Language” series – and made of transparent plexiglass and mirror-effect printed fabric – his two versions of the Lady Dior are adorned with golden and silver phrases and exclamations applied on a reflective surface to evoke a screen. The words are edged with gold and silver chains, like speech bubbles, serving as symbols of the emptiness of a language that no longer has any real functionality. Tune in to the episode to learn more about the artist’s playful and thought-provoking concept behind the bags. Hosted by Ausha. See ausha.co/privacy-policy for more information.…

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[DLA] Artist Mircea Cantor revisits the Lady Dior through an entrancing interplay of optical effects, textures and perspectives 22:09

2 years yang lalu22:09

22:09

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique piece of art. In this new episode, we immerse ourselves in the poetic universe of Mircea Cantor, an internationally renowned Romanian artist whose works, suspended between dream and reality, lucidly reflect his commitment to contemporary society. Cantor’s singular vision is embodied in a polymorphous practice that utilizes a variety of media, such as video, animation, sculpture, drawing, photography and performance but also collaborations with artisans for the conception of unprecedented installations, with a view to broadening the field of knowledge through this savoir-faire. Awarded the Marcel Duchamp Prize in 2011, his works are presented in prestigious international collections, notably the Pompidou Center in Paris, the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington. The artist’s protean approach plays out in two Lady Dior creations that feature bewitching optical effects, textures and perspectives. Dressed by turns in black or beige leather, they are adorned with captivating embroidery evoking the beauty of the garden of Eden, filled with flowers of every variety, inspired by a traditional gilet from western Romania. In contrast, the graphic lines of the bag’s cannage motif are highlighted by leather cord, an essential element of embroidery and leatherwork symbolizing connection, transmission and continuity. Completing the designs, the handles bear the words “make heaven out of what you have” – in French, English and Romanian – a true artist’s manifesto, while the charms are reinvented in an elaborate golden version, borrowed from the lexicon of jewelry. As a finishing touch, the inside of each bag contains a hand-designed silk scarf signed by Cantor as well as a logbook annotated by the artist. Tune in to the episode to learn more about the genesis of this exceptional project. Hosted by Ausha. See ausha.co/privacy-policy for more information.…

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[DLA] Artist Mariko Mori transforms the Lady Dior into an emblem suffused with light 19:28

2 years yang lalu19:28

19:28

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique work of art. In this latest episode, we plunge into the esoteric, cosmic universe of Mariko Mori. Operating in another realm spanning the past, present and future, the internationally acclaimed Japanese artist through her futuristic multidisciplinary works blurs the lines between art and technology, exploring themes including life, death and rebirth, prehistory, the cosmos and spirituality. For Dior Lady Art, Mori used her signature dichroic vacuum deposition and lenticular techniques to take the iconic Lady Dior handbag into a new dimension, harnessing her mastery of light, which she describes as “an inner source for all living things.” Seemingly inhabited by light which shifts as the bag is moved, the first of three bags features an inner landscape inspired by the ālaya, the eighth consciousness in Buddhism. The second – in a small format – celebrates Dior heritage through an emblematic white bow made from an innovative fabric that lights up in an array of select colors in a crafted sequence. The final design with its compact, minaudière dimensions, resembles a rainbow-colored bubble, evoking a space-time capsule on which the "O" of the "D.I.O.R." charms is transformed into a model of the artist’s monumental sculptural installation, “Ring: One With Nature.” As a final surprise, the bags’ interiors are dressed in a unique shade of delicate pink, heightening the bag’s feminine essence. Tune in to the episode to learn more about the artist’s fascinating world. Hosted by Ausha. See ausha.co/privacy-policy for more information.…

2 years yang lalu25:36

25:36

Dior Talks

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[DLA] Artist Jeffrey Gibson takes part in the VIIIth edition of Dior Lady Art, a passionate tribute to audacity 23:50

2 years yang lalu23:50

23:50

Welcome to the Dior Talks podcast series dedicated to the eighth edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this highly-anticipated edition, 12 artists from around the world were invited to transform the iconic Lady Dior handbag into a unique work of art. Bridging heritage and reinvention, New York-based Jeffrey Gibson dreams up multicolored works fusing traditional Native American craft techniques with a bold, almost psychedelic Pop aesthetic. Influenced by his peripatetic childhood, the multimedia artist curates a mash-up of aesthetic references, ranging from queer aesthetics to fashion, while exploring the power of the spoken word through phrases that resonate with his world, celebrating the forgotten and the marginalized through the prism of art. Adorned with patterned beadwork, partly inspired by the artist’s iconic punching bag series, and tagged with the phrase “I can do whatever I choose,” the Lady Dior takes on an object sculpturalness. Working with Dior’s petites-mains, Gibson used a mix of glass and beadwork of varying sizes to achieve different textures, offset with fluorescent neoprene and netting, while the handles are covered in rhinestones that give a Sixties vibe. A second small-format version of the iconic bag is embroidered with a face, the artist’s emblem, with a stone for a nose, a 3D-printed shell mouth, and beaded eyes using elements from West Africa. The “D.I.O.R.” charms metamorphose into giant pixels, materializing the link between past and present. An extension of his artistic universe, the Lady Dior in Gibson’s hands transforms into a multicolored totem for exploring the cultural realities of modern life, in a masterful mélange of narratives and references. Tune in to the episode for a deep dive into his universe. Hosted by Ausha. See ausha.co/privacy-policy for more information.…

Dior Talks

5 years yang lalu29:57

29:57

Welcome to this 14th episode of the new Dior Talks series ‘The Female Gaze’. With the term developed in response to the writings of feminist film theorist Laura Mulvey, this podcast series will explore how the work of the female photographers and creatives collaborating with Dior offers a radically new and progressive image of women. In this episode, series host Charlotte Jansen, a British journalist and author, speaks with Maya Goded from her home in Mexico City. Goded is no ordinary arbiter of the photographic form, spending years, sometimes decades, working on individual research projects and painstakingly building visual documents of women and womanhood from every stratum of Mexican society. From her sensitive and inquiring photographs of women’s precarious existence, to her subtly moving portrait of Maria Grazia Chiuri, she offers a thoughtful discussion of her working processes and her socially conscious approach to contemporary life. Maya Goded was born in Mexico City in 1967 and currently resides in the beautiful Coyoacán neighborhood which is also home to Frida Kahlo’s Blue House (La Casa Azul). She assisted other photographers before embarking on her solo career, and her first major project was a three-year endeavor photographing Afro-Mexicans, titled Black Earth . She has consistently focused on themes of female sexuality, gender violence, prostitution and the traditional role of motherhood assigned to women in Mexican society. In 2001, she held a major solo exhibition at the Museo Nacional Centro de Arte Reina Sofía in Madrid, titled Sex Workers 1995-2000 , which was hailed for its penetrating, refreshingly nuanced portrayal of its subjects. An unstinting commitment to listening and sensitive observation is the hallmark of Goded’s work, which has allowed her to reveal so many layers of women’s lives without cliché or condescension. Goded has received numerous prestigious awards for her work, including the Guggenheim Fellowship, the FotoPres La Caixa prize and the W. Eugene Smith Memorial Fund. Here, Charlotte Jansen speaks to Maya Goded about the breadth of her practice and how she views the world at this extraordinary time. They discuss how lockdown has forced each of us into a reckoning with ourselves and our lives and how this year’s eerie silence has led to millions of personal examinations of the potential for change. They reminisce on Goded’s intimate portrait of Maria Grazia Chiuri and the brief, bonding time they spent together. They also reflect on the striking images Goded took of the Dior Cruise 2019 collection. Through her multifaceted and lovingly empathetic practice, Goded is an ideal figure to consider the question, what does it take to change the way we see a woman? Hosted by Ausha. See ausha.co/privacy-policy for more information.…

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